'Bending's wonderful volume, with its integration of literature and garden cultivation, adds significantly to our understanding not only of the ways we can situate women in eighteenth-century garden culture, but also of the mechanisms by which women fashioned their identity in concert with, and sometimes against, their landscape.' Eighteenth-Century Studies
'I read this book with extraordinary interest and enjoyment. It adds a new facet to our understanding of eighteenth-century women's lives. No one has examined so carefully the concept of retirement and its complex nuances; Stephen Bending writes with power about the women whose garden work has seized his imagination.' Rachel Crawford, University of San Francisco
'... from pastoral idyll to shameful seclusion, Stephen Bending's study offers an original and overdue account of the female figure in the gardening landscape in the eighteenth century, and brings to the fore the full expressive range of women's gardening in this period.' Karen O'Brien, University of Birmingham
'Well researched ... crammed with stories, extracts of letters, diaries and journals.' History Today
'Told through their letters, diaries and journals, here are illustrated stories of some extraordinary eighteenth-century women and their gardens, seen in the context of the larger history of their retirement from the world and their engagement with the literature of gardening.' Choice
'... an intriguing work that would be heavily used in almost any academic library ... highly recommended.' Choice
'With its carefully chosen illustrations and its substantial index, this thoroughly researched study will prove of great value both for garden historians and students of the history of gender politics, and with its nuanced and fascinating narratives of these women's gardening lives, it likewise appeals to the general reader.' Marie-Luise Egbert, translated from L'Homme. Z. F. G.
'Bending's often delightful and often moving book is steeped in literary and nonliterary texts and much archival material. This is a well-produced and, especially in the second half, well-written book. Bending's prose is lively and often witty.' R. J. W. Mills, Ideas, Aesthetics, and Inquiries in the Early Modern Era
