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Public and Private Patricia McKee

Public and Private par Patricia McKee

Public and Private Patricia McKee


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Résumé

Examining the emergent and fluctuating relationship between the public and private social spheres of the late 18th and 19th centuries, this text assesses novels such as Mary Shelley's Frankenstein and Jane Austen's Emma through the lens of the social theories of Habermas and Foucault.

Public and Private Résumé

Public and Private: Gender, Class, and the British Novel (1764-1878) Patricia McKee

Public and Private was first published in 1997. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

This groundbreaking work examines the emergent and fluctuating relationship between the public and private social spheres of the late eighteenth and nineteenth centuries. By assessing novels such as Mary Shelley's Frankenstein and Jane Austen's Emma through the lens of the social theories of Jurgen Habermas and Michel Foucault, Patricia McKee presents a fresh and highly original contribution to literary studies.

McKee explores the themes of production and consumption as they relate to gender and class throughout the works of many of the most influential novels of the age including Tobias Smollett's Humphry Clinker, Horace Walpole's The Castle of Otranto, Emma, Frankenstein, Anthony Trollope's Barchester Towers, Charles Dickens's Little Dorrit and The Old Curiosity Shop, Mrs. Henry Wood's East Lynne, and Thomas Hardy's The Return of the Native.

McKee analyzes portrayals of a society in which abstract idealism belonged to knowledgeable, productive men and the realm of ignorance was left to emotional, consuming women and the uneducated. She traces the various ways British literature of the eighteenth and nineteenth centuries worked to reform this social experience. Topics include Dickens's attack on the bureaucratic use of knowledge to maintain the status quo; the function of antiprogressive depictions of knowledge in Trollope, Shelley, and Hardy; and Austen's characterization of the protagonist Emma as an exception in a society that denied women's productive use of knowledge.

Offering a sharp challenge to theorists who have charted a linear division of public and private experience, McKee highlights the unexpected configurations of the emergence of the public and private spheres and the effect of knowledge distribution across class and gender lines.

Patricia McKee is professor of English at Dartmouth College. She is the author of Heroic Commitment in Richardson, Eliot, and James (1986).

À propos de Patricia McKee

Patricia McKee is professor of English at Dartmouth College. She was the author of Heroic Commitment in Richardson, Eliot, and James (1986).

Sommaire

Models of stability - production and consumption in Humphry Clinker and The Castle of Otranto; productions of knowledge - Emma and Frankenstein; the emptied subject of public knowledge - the old curiosity shop; public knowledge, common knowledge and classifications of will - Barchester Towers and Little Dorrit; gender as order in public and in private - East Lynne; naturalizing class and gender distinctions - the return of the native.

Informations supplémentaires

GOR012609969
9780816629350
0816629358
Public and Private: Gender, Class, and the British Novel (1764-1878) Patricia McKee
Occasion - Très bon état
Broché
University of Minnesota Press
19970601
256
N/A
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