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Shakespeare Comes to Broadmoor Murray Cox

Shakespeare Comes to Broadmoor par Murray Cox

Shakespeare Comes to Broadmoor Murray Cox


€61.00
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Résumé

Between 1989 and 1991 several of Shakespeare's tragedies were performed in the central hall of Broadmoor Hospital. This book sets these events on record, offering insights into the impact of such drama, in such a setting, upon actors and audience.

Shakespeare Comes to Broadmoor Résumé

Shakespeare Comes to Broadmoor: The Actors are Come Hither - The Performance of Tragedy in a Secure Psychiatric Hospital Murray Cox

Between 1989 and 1991 several of Shakespeare's tragedies were performed in the central hall of Broadmoor Hospital. This book sets these important events on record. It offers insights into the impact of such drama, in such a setting, upon actors and audience. It includes interviews with the directors and the actors playing the title roles, as well as a description of the hospital and its community of patients and staff.
The performances were given by actors from The Royal Shakespeare Company (Hamlet and Romeo and Juliet), The Royal National Theatre (King Lear) and the Wilde Community Theatre Company, a local amateur drama group (Measure for Measure). An account is given of `workshops' which took place after the performances. And a collage of comment, by actors and audience, is presented as a stream of corporate consciousness.
The final section of the book has a more academic timbre, including chapters on performance and projective possibilities, the nature and scope of dramatherapy, and contributions on the place of drama in custodial settings by specialists from a variety of disciplines.

Shakespeare Comes to Broadmoor Avis

This is a deeply moving and important book. -- Church Times

This imaginative, even courageous, group of event

s bears witness to the importance of drama in the history of psychiatric therapy.

-- BMJ
This book is a bible for actors, a work of vast importance. -- Clare Higgins
This is a most fascinating book and it is set out like a play. The outlook is International and innovative. It is a book you will want to keep. So, explore it in a Library and put it on your birthday present list! -- Southend Shakespeare Company
One is left with the impression not of a complete project but of the first communication in a new and exciting dialogue. It is difficult to convey the sheer energy of the book by simply describing its contents. All the participants speak with a sense of commitment and excitement which arises as a result of being involved in a truly creative enterprise. Poised there in the wings I can see the shadowy figure of Murray Cox (or is it indeed the Duke of Milan himself?) murmuring: "Now does my project gather to a head. My charm crack not, my spirit obey; and time Goes upright with his carriage." He can be pleased with the magic he has brought about. -- Group Analysis
Apart from its intrinsic interest for those whose professional lives involve the care of mentally disordered offenders this book is recommended to those with an interest in the point and purpose of drama as well as being a highly original addition to the library of all those in love with Shakespeare. -- Criminal Behaviour and Mental Health
The book provides a valuable record of events and of an exceptional audience's reactions, along with broader thoughts about the role of drama in therapy. -- Shakespeare Survey
The year's most striking account of contemporary Shakespearean performance. [The book] documents a courageous experiment. It primarily consists of a sequence of interviews with the actors and directors who took part, some fascinating material on the nature of the hospital itself (and the use of drama in therapy), and a collage of reactions from those involved. Many of these attest to the power of the experience and those involved in the production register how it reformed their conceptions of both the hospital and of the dramatic material they brought to it. -- The Year's Work in English Studies
This work is a collage. Even though all the parts do not fit smoothly together, the reactions of the theater people should provide a unique stimulus to researchers who are interested in role behavior. Cox is to be congratulated for bringing spontaneity to a closed institution. He knows treatment and Shakespeare. He reflects the fact that a creative therapist must be skilled in the mediums which are the vehicle for the intervention. -- Journal of Nervous and Mental Disease
This is a worthy book and it is important that these experiences have been put to paper. -- AMBOV Quaterly

À propos de Murray Cox

Murray Cox was Consultant Psychotherapist at Broadmoor Hospital from 1970 until his death in 1997. He was an Honorary Member of the Institute of Group Analysis, the Danish Society for Psychoanalytic Psychotherapy and an Honorary Research Fellow, The Shakespeare Institute (The University of Birmingham).

Sommaire

Part 1 Dramatis personae: audience - Broadmoor patients and staff, Trevor Walt; actors - The Royal Shakespeare Company, The Royal National Theatre, Wilde Community Theatre Company; title roles - Hamlet and Romeo, King Lear, From Gertrude to Regan; directors - in search of Hamlet, "Men of Stones", "A Giant's Strength". Part 2 Stage directions: the setting - Broadmoor hospital, Harvey Gordon; the set and stage management, Ian Bayne. Part 3 "Tempest in the Mind" - a collage of criticism. Part 4 Wilder horizons: projective aspects of performance, Alice Theilgaard; the place of drama in custodial settings - responsibility, opportunity, risk, Dominic Barber; the nature and limits of dramatherapy, Sue Jennings. Epilogue - reporting to the "Yet Unknowing World", Murray Cox.

Informations supplémentaires

GOR006900829
9781853021350
1853021350
Shakespeare Comes to Broadmoor: The Actors are Come Hither - The Performance of Tragedy in a Secure Psychiatric Hospital Murray Cox
Occasion - Bon état
Relié
Jessica Kingsley Publishers
1992-03-01
304
N/A
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