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Aesthetics from Classical Greece to the Present Monroe Beardsley

Aesthetics from Classical Greece to the Present par Monroe Beardsley

Aesthetics from Classical Greece to the Present Monroe Beardsley


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Résumé

Beardsley's book ... It illuminates an area of history from a certain perspective as was never done before.... The distinguishing feature of his book is an excitement over everything I aesthetics that has to do with symbols, meanings, language, and modes of interpretation. - The Journal of Aesthetics and Art Criticism

Aesthetics from Classical Greece to the Present Résumé

Aesthetics from Classical Greece to the Present Monroe Beardsley

Seeks to bring present-day philosophy principles into the history of aesthetics.

Before the publication of Aesthetics from Classical Greece to the Present there were three histories of aesthetics in English-Bosanquet's pioneering work, the second part of Croce's Aesthetic in the Ainsle translation, and the comprehensive volume by Gilbert and Kuhn. While each of these is interesting in its own ways, and together they cover a good deal of ground, none of them is very new. Thus none could take advantage of recent work on many important philosophers and periods and bring into a consideration of the past the best concepts and principles that have been developed by present-day philosophy.

In Aesthetics from Classical Greece to the Present the author seeks to bring these principles to the forefront in exploring the history of aesthetics.

Aesthetics from Classical Greece to the Present Avis

For those of us who want to know what philosophers have said about beauty and the arts, this book will be especially useful.- Philosophical Review;

Beardsley's book accomplishes to perfection what the writer intended. It illuminates an area of history from a certain perspective as was never done before. . . . The distinguishing feature of his book is a n excitement over everything I aesthetics that has to do with symbols, meanings, language, and modes of interpretation. And this excitement has brought to light facets of the history of the subject never noticed before, or at least, not so clearly.- Journal of Aesthetics and Art Criticism

Sommaire

Part 1 First thoughts. Part 2 Plato: art and imitation; beauty; morality; bibliography. Part 3 Aristotle: the proper pleasure of tragedy; Aristotle's answer to Plato. Part 4 The later classical philosophers: Hellenism and Roman Catholicism; Plotinus. Part 5 The Middle Ages: St Augustine; St Thomas Aquinas; the theory of interpretation. Part 6 The Renaissance: Neoplatonism; theory of painting; music and poetry. Part 7 The Enlightenment: Cartesian rationalism: poetics; theory of painting and music; toward a unified aesthetics. Part 8 The Enlightenment: empiricism - imagination and artistic creation; the problem of taste - Shaftsbury to Hume; the aesthetic qualities - Hogarth to Alison. Part 9 German idealism: Immanuel Kant; objective idealism. Part 10 Romanticism: the aesthetics of feeling; theories of the imagination; Schopenhauer and Nietzsche. Part 11 The artist and society: art for art's sake; realism; social responsibility. Part 12 Contemporary developments: Croce and the metaphysicians; Santayana and Dewey; semiotic approaches; Marxism-Leninism; phenomenology and existentialism; empiricism.

Informations supplémentaires

GOR002116217
9780817366230
0817366237
Aesthetics from Classical Greece to the Present Monroe Beardsley
Occasion - Très bon état
Broché
The University of Alabama Press
19751030
416
N/A
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