Panier
Livraison gratuite
Nous sommes Neutres au Carbone

A Companion to English Renaissance Literature and Culture Michael Hattaway

A Companion to English Renaissance Literature and Culture par Michael Hattaway

A Companion to English Renaissance Literature and Culture Michael Hattaway


€32.00
État - Très bon état
Disponible en seulement 1 exemplaire(s)

Résumé

This volume contains provocative essays on canonical genres such as love poetry and Jacobean tragedy, but also accounts of popular and occasional productions of drama and verse. The book then moves on to consider pertinent issues such as feminism, sexuality, humanism and historicism.

A Companion to English Renaissance Literature and Culture Résumé

A Companion to English Renaissance Literature and Culture Michael Hattaway

In this comprehensive Companion over fifty of the most eminent modern scholars come together to offer an original and far-reaching survey of English Renaissance literature and culture. The first part of the volume considers pertinent issues such as humanism, English reformations, the development of the language, court culture and playhouses, in terms of the way in which these aspects of Renaissance culture influenced literary production. There are provocative essays on canonical genres such as love poetry and Jacobean tragedy, but also accounts of popular and occasional drama and verse, and the visual arts. The Companion also approaches key texts of the period through a number of new readings, providing original perspectives and positions on both canonical and non-canonical texts. The essays include a range of approaches to a variety of texts from The Spanish Tragedy and The Faerie Queen to 'Tis Pity She's a Whore, the poems of Lady Mary Wroth, and a selection of critical elegies. In the final section, the book moves on to explore contemporary debates in Renaissance studies such as feminism, sexuality, historicism, and nation. This Companion is the only book of its kind to travel beyond the stage and is an invaluable guide for both student and teacher.

À propos de Michael Hattaway

Michael Hattaway, is Professor of English at Sheffield University. He is editor of the Cambridge Companion to English Renaissance Drama.

Sommaire

Illustrations. Notes on Contributors. Part I: Introduction: 1. Introduction: Michael Hattaway. Part II: Contexts and Perspectives ca 1500-1650: 2. Early Tudor 'Humanism': Mary T. Crane. 3. English Reformations: Patrick Collinson. 4. Platonism, Stoicism, Scepticism, and Classical Imitation: Sarah Hutton. 5. History: Patrick Collinson. 6. The English Language of the Early Modern Period: N. F. Blake. 7. Publication: Print and Manuscript: Michelle O'Callaghan. 8. Literacy and Education: Jean R. Brink. 9. Court and Coterie Culture: Curtis Perry. 10. The Literature of the Metropolis: John A. Twyning. 11. Playhouses and the Role of Drama: Michael Hattaway. 12. The Writing of Travel: Peter Womack. Part III: Readings: 13. Translations of the Bible: Gerald Hammond. 14. Wyatt's 'Who So List to Hunt': Rachel Falconer. 15. Courtship and Counsell: John Lyly's Campaspe: Greg Walker. 16. Spenser's Faerie Queene, Book V: Poetry, Politics, and Justice: Judith Anderson. 17. Kyd's Spanish Tragedy: Amanda Piesse. 18. Donne's 19th Elergy: Germaine Greer. 19. Lanyer's 'The Description of Cookham' and Jonson's 'To Penshurst': Nicole Pohl. 20. A Bacon Essay ('Of Simulation and Dissimulation'): Martin Dzelzainis. 21. Lancelot Andrewes Good Friday 1604 Sermon: Richard Harries. 22. Herbert's 'The Elixir': Judith Weil. 23. The Heart of the Labyrinth: Mary Wroth's Pamphilia to Amphilanthus: Robyn Bolam. 24. The Critical Elegy: John Lyon. 25. The final scene of 'Tis Pity She's a Whore: Robyn Bolam. Part IV: Genres and Modes: 26. Theories of Literary Kinds: John Roe. 27. Allegory: Clara Mucci. 28. Pastoral: Michelle O'Callaghan. 29. Romance: Helen Moore. 30. Epic: Rachel Falconer. 31. Criticism: Arthur Kinney. 32. The English Print c. 1550-c. 1650: Malcolm Jones. Verse. 33. Traditions of Complaint and Satire: John King. 34. Love Poetry: Diana Henderson. 35. Erotic Poems: Boika Sokolova. 36. Religious Verse: Elizabeth Clarke. 37. Poets, Friends and Patrons: Donne and his Circle; Ben and his Tribe: Robin Robbins. 38. 'Such Pretty Things Would Soon be Gone': The Neglected Genres of Popular Verse 1480-1650: Malcolm Jones. Drama. 39. Local and Customary Drama: Thomas Pettitt. 40. Continuities between 'Medieval' and 'Early Modern' Drama: Michael O'Connell. 41. Heroic, Political, and Problem Plays: Stephen Longstaffe. 42. Women and Drama: Alison Findlay. 43. Tales of the City: The Comedies of Ben Jonson and Thomas Middleton: Peter J. Smith. 44. 'Tied/To Rules of Flattery? ': Court Drama and the Masque: James Knowles. 45. Jacobean Tragedy: Rowland Wymer. 46. Caroline Theatre: Roy Booth. Prose. 47. Scientific Writing: David Colclough. 48. Prose Fiction: Andrew Hadfield. 49. Theological Writings and Religious Polemic: Donna Hamilton. 50. The English Renaissance Essay: Churchyard, Cornwallis, Florio's Montaigne, and Bacon: John Lee. 51. Diaries: Elizabeth Clarke. 52. Letters: Jonathan Gibson. Part V: Issues and Debates: 53. Rhetoric: Marion Trousdale. 54. Identity: A. J. Piesse. 55. Was There a Renaissance Feminism?: Jean Howard. 56. The Debate on Witchcraft: James Sharpe. 57. Reconstructing the Past: History, Historicism, Histories: James R. Siemon. 58. Sexuality: A Renaissance Category?: James Knowles. 59. Race: A Renaissance Category: Margo Hendricks. 60. Writing the Nation: Nicola Royan.

Informations supplémentaires

GOR013625300
9780631216681
0631216685
A Companion to English Renaissance Literature and Culture Michael Hattaway
Occasion - Très bon état
Relié
John Wiley and Sons Ltd
2001-01-22
792
N/A
La photo du livre est présentée à titre d'illustration uniquement. La reliure, la couverture ou l'édition réelle peuvent varier.
Il s'agit d'un livre d'occasion - par conséquent, il a été lu par quelqu'un d'autre et il présente des signes d'usure et d'utilisation antérieure. Dans l'ensemble, nous nous attendons à ce qu'il soit en très bon état, mais si vous n'êtes pas entièrement satisfait, veuillez prendre contact avec nous.