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Stage Management
by Lawrence Stern
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The Rise of Performance Studies
by J. Harding
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Obituaries in the Performing Arts, 2019
by Harris M. Lentz III
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The Polish Theatre of the Holocaust
by Grzegorz Niziolek (Jagiellonian University, Poland)
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Staging the Personal
by Clark Baim
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Theatre's Heterotopias
by J. Tompkins
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Mae West
by Carol M. Ward
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Success in the Arts
by A Michael Shumate
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The Musical Theatre Composer as Dramatist
by Rebecca Applin Warner
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The Cultural Politics of One-to-One Performance
by Rachel Zerihan
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Modern Theatre in Russia
by Dr Stefan Aquilina (University of Malta, Malta)
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Performance Phenomenology
by Stuart Grant
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The Cambridge Companion to International Theatre Festivals
by Ric Knowles (University of Guelph, Ontario)
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The Great European Stage Directors Volume 7
by Felicia Hardison Londre (University of Missouri-Kansas City, USA)
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Censorship of the American Theatre in the Twentieth Century
by John H. Houchin (Boston College, Massachusetts)
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Staging Ancient Greek Plays
by Michael Ewans (University of Newcastle, Australia)
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Drama at the Courts of Queen Henrietta Maria
by Karen Britland (University of Wisconsin, Madison)
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American Theatre
by Thomas S. Hischak (Professor of Theatre, Professor of Theatre, State University of New York at Cortland)
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The Politics of Irish Drama
by Nicholas Grene (Trinity College, Dublin)
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Liminal Acts
by Susan Broadhurst
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The African American Theatrical Body
by Soyica Diggs Colbert (Assistant Professor of English, Dartmouth College, New Hampshire)
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Repetition in Performance
by Eirini Kartsaki
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New Media Dramaturgy
by Peter Eckersall
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Weyward Macbeth
by S. Newstok
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Syrian Refugees, Applied Theater, Workshop Facilitation, and Stories
by Fadi Skeiker
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Intermedial Praxis and Practice as Research
by Joanne Scott
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The Wisdom of Serpents
by Diane Baia Hale
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Theatre of the Real
by C. Martin
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Bodies and Transformance in Taiwanese Contemporary Theater
by Peilin Liang
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Unruly Audiences and the Theater of Control in Early Modern London
by Eric Dunnum
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Women and Embodied Mythmaking in Irish Theatre
by Shonagh Hill (University College Dublin)
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Performance, Cognitive Theory, and Devotional Culture
by J. Stevenson
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From Farce to Metadrama
by Tori Haring Smith
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Women on Stage in Stuart Drama
by Sophie Tomlinson (University of Auckland)
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Intermedial Theatre
by Dr Mark Crossley (De Montfort University, UK)
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Theatre Ecology
by Baz Kershaw (University of Warwick)
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Contemporary Group Theatre in Kolkata, India
by Arnab Banerji
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Theatres of Contagion
by Fintan Walsh (, Birkbeck, University of London, UK)
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Richard's Himself Again
by J. Scott Colley
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Plays on Words
by Marvin Cohen
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The Iron Heel
by Edward Einhorn
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Performing the Eighteenth Century
by Magnus Tessing Schneider
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Actresses and Whores
by Kirsten Pullen (University of Calgary)
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Romantic and Revolutionary Theatre, 17891860
by Donald Roy (University of Hull)
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Man-Monkeys
by Alan Stockwell
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The Routledge Companion to Performance Practitioners
by Franc Chamberlain (University of Huddersfield, UK)
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My Dear Loraine
by George Bernard Shaw
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Early American Theatre from the Revolution to Thomas Jefferson
by Heather S. Nathans (University of Maryland, College Park)
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