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The Art of Interruption John Roberts

The Art of Interruption By John Roberts

The Art of Interruption by John Roberts


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Summary

Discusses the links between photography and politics in the key modernist movements of the 20th century, providing a critical overview and investigating the validation of arguments for and against the debates around photographic theory and practice.

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The Art of Interruption Summary

The Art of Interruption: Realism, Photography and the Everyday by John Roberts

This is the first monograph-length study that charts the coercive diplomacy of the administrations of Richard Nixon and Gerald Ford as practised against their British ally in order to persuade Edward Heath's government to follow a more amenable course throughout the 'Year of Europe' and to convince Harold Wilson's governments to lessen the severity of proposed defence cuts. Such diplomacy proved effective against Heath but rather less so against Wilson. It is argued that relations between the two sides were often strained, indeed, to the extent that the most 'special' elements of the relationship, that of intelligence and nuclear co-operation, were suspended. Yet, the relationship also witnessed considerable co-operation. This book offers new perspectives on US and UK policy towards British membership of the European Economic Community; demonstrates how US detente policies created strain in the 'special relationship'; reveals the temporary shutdown of US-UK intelligence and nuclear co-operation; provides new insights in US-UK defence co-operation, and re-evaluates the US-UK relationship throughout the IMF Crisis.

Table of Contents

Introduction - realism, contradiction and interpretation. Photography, the everyday and the Russian Revolution; technique, technology and the everyday - German photographic culture in the 1920s and 1930s; the making of documentary - documentary after factography; the state, the everyday and the archive; Surrealism, photography and the everyday; inside Modernism - American photography and post-war culture; John Berger and Jean Mohr - the return to communality; the rise of theory and the critique of realism - photography in Britain in the 1980s; disfiguring the ideal - the body, photography and the everyday; Jeff Wall - the social pathology of everyday life; Jo Spence - photography, empowerment and the everyday; digital imagery and the critique of realism.

Additional information

CIN0719035619G
9780719035616
0719035619
The Art of Interruption: Realism, Photography and the Everyday by John Roberts
Used - Good
Paperback
Manchester University Press
19980604
256
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
This is a used book - there is no escaping the fact it has been read by someone else and it will show signs of wear and previous use. Overall we expect it to be in good condition, but if you are not entirely satisfied please get in touch with us

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