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The Theatre Experience Edwin Wilson

The Theatre Experience By Edwin Wilson

The Theatre Experience by Edwin Wilson


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Summary

From Broadway to makeshift theater spaces around the world, the author demonstrates the active and lively role they play as audience members by engaging them in the collaborative and creative processes behind and in front of the curtain.

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The Theatre Experience Summary

The Theatre Experience by Edwin Wilson

The thirteenth edition of The Theatre Experience is students' ticket to the best seat in the house. From Broadway to makeshift theater spaces around the world, the author demonstrates the active and lively role they play as audience members by engaging them in the collaborative and creative processes behind and in front of the curtain. Wilson introduces students to the roles of the performers, directors, producers and designers, while emphasizing the insights they as audience members bring to any production. The thirteenth edition better accommodates today's teaching schedules, as well as improves accessibility for students by concise insight and up-to-date vibrant production visuals. Students join the creative process with The Theatre Experience, and rehearse for their role as life-long audience members.

About Edwin Wilson

Ed Wilson attended Vanderbilt, the University of Edinburgh, and Yale University where he received the first Doctor of Fine Arts degree awarded by Yale. He has taught at Vanderbilt, Yale, Hunter College and the Graduate Center of the City University of New York. Most recently he has been Executive Director of the Segal Theatre Center at the CUNY Graduate Center. He is the author or co-author of three of the most widely used college theater textbooks in the U. S. The tenth edition of his pioneer book, The Theater Experience was published in 2006 by McGraw Hill LLC. The sixth edition of his text Theater: The Lively Art (co-authored with Alvin Goldfarb) will be published by McGraw Hill in theDecember, 2006. The fourth edition of his theater history, Living Theatre: Histories of Theatre, (also co-authored with Alvin Goldfarb) will be published in December, 2006. He is also the editor of Shaw on Shakespeare, recently re-issued by Applause Books. He has produced plays on and off Broadway and served one season as the resident director of the Barter Theatre in Abingdon, Virginia. He also produced a feature film, The Nashville Sound, recently made available on DVD. He is the author of two original plays, a farce, The Bettinger Prize, and a play about Ponce de Leon, Waterfall. He wrote the book and lyrics for a musical version of Great Expectations. All three have been given a series of successful readings in New York City and elsewhere. Great Expectations was given a full production for three weeks in February and March, 2006, at the Mill Mountain Theatre in Roanoke, Virginia. He conceived the idea of a musical revue of the songs of Jerome Kern which had a well-received try-out production in the fall of 2004 at Catholic University in Washington, D. C. Ed has served a number of times on the Tony Nominating Committee and the Pulitzer Prize Drama Jury, most recently on the Pulitzer Jury in 2003. For twenty two years he was the theater critic of the Wall Street Journal. A long time member of the New York Drama Critics Circle, he was president of the Circle for several years. He is on the board of the John Golden Fund and was also for many years on the Board of the Theater Development Fund, of which he served as President. Alvin Goldfarb is President Emeritus and Professor Emeritus of Western Illinois University. Dr. Goldfarb has also served as Provost, Dean of Fine Arts, and Chair of the Department of Theatre at Illinois State University. He holds a Ph.D. in theatre history from the City University of New York and a masters degree from Hunter College. He is also the co-author of Living Theatre as well as co-editor of The Anthology of Living Theatre with Edwin Wilson. Dr. Goldfarb is also the co-editor, with Rebecca Rovit, of Theatrical Performance during the Holocaust: Texts, Documents, Memoirs, which was a finalist for the National Jewish Book Award. He has published numerous articles and reviews in scholarly journals and anthologies. Dr. Goldfarb has served as a member of the Illinois Arts Council and president of the Illinois Alliance for Arts Education. He has received service awards from the latter organization as well as from the American College Theatre Festival. Dr. Goldfarb also received an Alumni Achievement Award from the CUNY Graduate Centers Alumni Association, and another Alumni Award from Hunter College, CUNY. Dr. Goldfarb currently serves as a member and treasurer of Chicagos Joseph Jefferson Theatre Awards Committee, which recognizes excellence in the Chicago theatre, as well as a board member of the Arts Alliance of Illinois.

Table of Contents

PART ONE:The AudienceChapter 1:The Audience: Its Role and ImaginationChapter 2:The Background and Expectations of the AudienceChapter 3:Theatre Spaces:The Audience Views the StagePART TWO:The Performers and the DirectorChapter 4:ActingChapter 5:The Director and the ProducerPART THREE:The Playwright and the PlayChapter 6:Creating the World of the PlayChapter 7:Dramatic Structure and Dramatic CharactersChapter 8:Theatrical GenresPART FOUR:The DesignersChapter 9:SceneryChapter 10:Stage CostumesChapter 11:Lighting and SoundPART FIVE:The Theatre TodayChapter 12:Musical TheatreChapter 13:Global Theatre TodayChapter 14:Contemporary Theatre in the United States

Additional information

CIN0073514276LN
9780073514277
0073514276
The Theatre Experience by Edwin Wilson
Used - Like New
Paperback
McGraw-Hill Education - Europe
20140316
384
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
The book has been read, but looks new. The book cover has no visible wear, and the dust jacket is included if applicable. No missing or damaged pages, no tears, possible very minimal creasing, no underlining or highlighting of text, and no writing in the margins

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