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The Art of Revising Poetry Charles Finn

The Art of Revising Poetry By Charles Finn

The Art of Revising Poetry by Charles Finn


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The Art of Revising Poetry Summary

The Art of Revising Poetry: 21 U.S. Poets on their Drafts, Craft, and Process by Charles Finn

Using side-by-side pairings of first drafts and final versions, including full-page reproductions from the poets' personal notebooks, as well as an insightful essay on each poem's journey from start to finish, The Art of Revising Poetry tracks the creative process of twenty-one of the United States' most influential poets as they struggle over a single word, line break, or thought. This behind-the-scenes look into the creative minds of working poets, including African American, Latino, Asian American, and Native poets from across the US, is an essential resource for students practicing poetry, and for instructors looking to enliven the classroom with real world examples. Students learn first-hand from the deft revisions working poets make, while poetry teachers can show in detail how experienced poets self-edit, tinker, cut, rearrange, and craft a poem. The Art of Revising Poetry is a must-have for aspiring poets and poetry teachers at all levels.

The Art of Revising Poetry Reviews

The Art of Revising Poetry is excellent, rigorous, useful, diverse, and entertaining by turns. Content and style are of the highest caliber. There is no question that this book is a compelling addition to anthologies of writing in contemporary US poetry and poetics, demystifying and diversifying ideas about the all-too-important process and method of revision. This is a wonderful companion and ally for engaged writers and readers in the academy and beyond. * Dr Heather Yeung, Lecturer in English Literature and Creative Writing, University of Dundee, UK *

About Charles Finn

Kim Stafford is Emeritus Professor at Lewis & Clark College, Oregon, USA, where he founded the Northwest Writing Institute and taught for over thirty years. His twelve books of poetry and prose include, The Muses Among Us: Eloquent Listening and Other Pleasures of the Writer's Craft (2003) and 100 Tricks Every Boy Can Do: How My Brother Disappeared (2012). His most recent book is the poetry collection Singer Come from Afar (2021). He has taught writing in the US, Scotland, Italy, Mexico, and Bhutan. In 2018 he was named Oregon's 9th Poet Laureate for a two-year term. Charles Finn is the former editor of the literary and fine arts magazine High Desert Journal and author of Wild Delicate Seconds: 29 Wildlife Encounters (2012) and On a Benediction of Wind: Poems and Photographs from the American West (2022). His essays, poems, and nonfiction have been published in a wide variety of journals, magazines, newspapers, and anthologies across the United States.

Table of Contents

Poet Biographies Introduction: Charles Finn & Kim Stafford. SECTION I: I riffed, following the language where it led Chapter 1: Bedtime Story, Joe Wilkins, Linfield University, USA. First Draft: My Son Asks for the Story About When We Were Birds Final Draft: My Son Asks for the Story About When We Were Birds Essay: Finding the Language, Finding Story: Revising My Son Asks for the Story About When We Were Birds Chapter 2: When Thought's Slope Steepens, Jane Hirshfield, Author and Poet. First Draft: Counting, New Year's Morning, What Powers Yet Remain to Me Final Draft: Counting, This New Year's Morning, What Powers Yet Remain to Me Essay: Stepladder, Vinegar, Persimmons: Revising Counting, This New Year's Morning, What Powers Yet Remain to Me Chapter 3: Increasing The Stakes, CMarie Fuhrman, Western Colorado University, USA. First Draft: Land Acknowledgment, Valley County, Idaho Final Draft: Land Acknowledgment, Valley County, Idaho Essay: Rhythm, Repetition, and the Drumbeat of Poetry: Revising Land Acknowledgment, Valley County, Idaho Chapter 4: Researching The Mystery, Jimmy Santiago Baca, Author and Poet. Passage from First Draft: River Run Passage from Third Draft: River Run Essay: What it Took to Get Here: Revising River Run Chapter 5: Creating a More Beautiful Story, Sean Prentiss, Norwich University, USA. Intermediated Draft: The Constellations of Slate Belt, Pennsylvania (with notes) Final Draft: The Constellations of Slate Belt, Pennsylvania Essay: Without Myths or Constellations: Revising The Constellations of Slate Belt, Pennsylvania Section II: My first draft was a word tornado Chapter 6: Inheritance, Frank X Walker, University of Kentucky, USA. First Draft: InHerit Final Draft: InHerit Essay: Revisions in Life and Poetry, Revising InHerit Chapter 7: A Matter of Inquiry, Rose McLarney, Auburn University, USA. First Draft: The Collectors of Local Minerals Are Likelier to Find What They Seek Final Draft: The Collectors of Local Minerals Are Likelier to Find What They Seek Essay: Identifying Gems: Revising The Collectors of Local Minerals Are Likelier to Find What They Seek Chapter 8: Gift From an Older Self, Naomi Shihab Nye, Texas State University, USA. Final Draft: Tears, Appropriate Essay: Gravity Changes: Revising Tears, Appropriate Chapter 9: A Poem's Truest Expression, Yona Harvey, University of Pittsburgh, USA. First Draft: Hickory Street, New Orleans Final Draft: Hickory Street, New Orleans Essay: True Expression as the Last Trolley Stop: Revising Hickory Street, New Orleans Chapter 10: An Inward Dissection, Terry Tempest Williams, Harvard Divinity School, USA. Original Prose Paragraph: When Women Were Birds Revision Into Poetry: When Women Were Birds Essay: Once Upon A Time: Revising When Women Were Birds SECTION III: It felt clunky, false, but I knew I was close Chapter 11: To See Again, Paulann Petersen, Stanford University, USA. Intermediate Draft: A Furrier's Grandchild Final Draft: A Furrier's Grandchild Essay: I Hear the Poem Speak For Itself: Revising A Furrier's Grandchild Chapter 12: Radiant Associations, Philip Metres, John Carroll University, USA. First Draft: Ashberries: Letters Final Draft: Ashberries: Letters Essay: Letters I Must Wait to Open: Revising Ashberries: Letters Chapter 13: An Act of Faith, Abayomi Animashaun, University of Wisconsin Oshkosh, USA. First Draft: Exodus Final Draft: Exodus Essay: Discipline and Unknowing: Revising Exodus Chapter 14: Removing Details, Tami Haaland, Montana State University Billings, USA. First Draft: Deer on Crazy Creek Final Draft Deer on Crazy Creek Essay: Making the Local Exact: Revising Deer on Crazy Creek Chapter 15: Forging Something New, Charles Finn, Author and Poet. First Draft: Memory's Anvil Final Draft: Memory's Anvil Essay: The Winch of Imagination: Revising Memory's Anvil Chapter 16: Maintaining Fidelity, Shin Yu Pai, Author and Poet. First Draft: Empty Zendo Final Draft: Empty Zendo Essay: Emptying the Zendo: Revising Empty Zendo SECTION IV: I asked my dreams. Chapter 17: What's at Stake, Kim Stafford, Lewis & Clark College, USA. Final Draft: Lost in Snow Essay: Getting More Intimate with Pain: Revising Lost in Snow Chapter 18: Zeroing in on Intent, Prageeta Sharma, Pomona College, USA. First Draft: The Witness Final Draft: The Witness Essay: The Poem's Psychic Center: Revising The Witness Chapter 19: In Thick Darkness we Listen, Shann Ray, Gonzaga University, USA. First Draft: God of my abandonment Final Draft: God of my abandonment Essay: Obscuring a Formidable Power: Revising God of my abandonment Chapter 20: The Serpentine Path, Todd Davis, Pennsylvania State University, USA. First Draft: Tributary Final Draft: Tributary Essay: Following a Tributary to Find a Poem: Revising Tributary Chapter 21: Dreaming Poetry, Beth Piatote, University of California, Berkeley, USA. First Draft: Because our Roots are in Rivers, Not Latin Final Draft: Because our Roots are in Rivers, Not Latin Essay: How Not to Write A Sonnet: Revising Because our Roots are in Rivers, Not Latin Index

Additional information

NGR9781350289260
9781350289260
1350289264
The Art of Revising Poetry: 21 U.S. Poets on their Drafts, Craft, and Process by Charles Finn
New
Paperback
Bloomsbury Publishing PLC
2023-06-15
168
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
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