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My Wife's Family
by Fred Duprez
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The Essential Theatre
by Oscar Brockett (University of Texas, Austin)
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Anxious Masculinity in the Drama of Arthur Miller and Beyond
by Claire Gleitman
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The Hollywood Scandals
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Performing Endurance
by Lara Shalson (King's College London)
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Evolution, Cognition, and Performance
by Bruce McConachie (University of Pittsburgh)
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Performing Greek Comedy
by Alan Hughes (University of Victoria, British Columbia)
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War and Theatrical Innovation
by Victor Emeljanow
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Roy Hart
by Kevin Crawford
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Performing in Contemporary Musicals
by David Sisco
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Staging Decadence
by Adam Alston (Goldsmiths University of London, UK)
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La Force de l'Acteur
by Ivana Chubbuck
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The Children of Paul's
by Reavley Gair (University of New Brunswick)
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The Glorious Days of Music Hall & Variety Theatre in Kent's Seaside Resports
by Michael Fairley
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Samuel Beckett and Disability Performance
by Hannah Simpson
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Applied Theatre: Creative Ageing
by Sheila McCormick (University of Salford, UK)
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Storytelling in Participatory Arts with Young People
by Catherine Heinemeyer
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Visualising Lost Theatres
by Joanne Tompkins (University of Queensland)
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The Production of King Oedipus
by Tyrone Guthrie
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Race and Performance after Repetition
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Performative Opacity in the Work of Isabelle Huppert
by Iggy Cortez
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Women Players in England, 1500-1660
by Pamela Allen Brown
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Sound Effect
by Ross Brown (Central School of Speech and Drama, London)
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Women on Stage in Stuart Drama
by Sophie Tomlinson (University of Auckland)
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Magical Transformations on the Early Modern English Stage
by Lisa Hopkins (Sheffield Hallam University)
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The Fantasy of Reality
by Rachel E. Silverman
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Postdramatic Theatre and Form
by Michael Shane Boyle (Queen Mary University of London, UK)
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The Swastika and the Stage
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Drama Stage and Audience
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Theatre and Encounter
by Roger Grainger
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Repetition in Performance
by Eirini Kartsaki
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The Natyasastra and the Body in Performance
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4.48 Psychosis
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Dramaturgy of Migration
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The Politics of American Actor Training
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Actresses on the Victorian Stage
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Joan of Arc on the Stage and Her Sisters in Sublime Sanctity
by John Pendergast
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Production Stage Management for Broadway
by Peter Lawrence
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Directors' Theatre
by Professor Peter M. Boenisch (Aarhus University, Denmark)
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Applied Theatre: Women and the Criminal Justice System
by Dr. Caoimhe McAvinchey (Queen Mary University of London, London)
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A Cultural History of Theatre in the Age of Empire
by Peter Marx (Professor at the Institute for Media Culture and Theater, University of Cologne, Germany)
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Intermedial Praxis and Practice as Research
by Joanne Scott
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Transformational Acting
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Brecht and Post-1990s British Drama
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Theory for Theatre Studies: Memory
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Avant-Garde Nationalism at the Dublin Gate Theatre, 1928-1940
by Ruud van den Beuken
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The Model as Performance
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Acting Queer
by Conrad Alexandrowicz
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