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Towards a Civic Theatre
by Dan Hutton
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The Shakespearean Stage 1574-1642
by Andrew Gurr (University of Reading)
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Theatre and Dance
by Kate Elswit
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Act ALIVE
by Andi Matheny
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Shakespeare beyond English
by Susan Bennett (University of Calgary)
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What Country, Friends, Is This?: Directing Shakespeare with Young Performers
by Max Hafler
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Digital Media, Projection Design, and Technology for Theatre
by Alex Oliszewski
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Sleeping Beauty
by Guy Unsworth
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Theatre of the Oppressed and its Times
by Julian Boal
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Theatre and its Audiences
by Kate Craddock (GIFT Gateshead International Festival of Theatre, UK)
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Decolonizing the Theatre Space
by Volume editor Simeilia Hodge-Dallaway
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Immersive Embodiment
by Liam Jarvis
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Speaking Shakespeare
by Patsy Rodenburg
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Theatre in the Victorian Age
by Michael Richard Booth
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Do You Feel Anger?
by Mara Nelson-Greenberg
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The Routledge Companion to Performance Practitioners
by Franc Chamberlain (University of Huddersfield, UK)
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101 Scenes For Showreels
by Tim Bryn Smith
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Notes from the Rehearsal Room
by Nancy Meckler
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From Craft to Career
by Merri Sugarman
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Pearson REVISE BTEC National Performing Arts Revision Workbook - 2023 and 2024 exams and assessments
by Heidi McEntee
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Dramaturgy in the Making
by Katalin Trencsenyi
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Ivo van Hove
by Professor Sonia Massai (King's College London, UK)
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The Art of Theatrical Sound Design
by Victoria Deiorio (DePaul Universtiy, USA)
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Political Dramaturgies and Theatre Spectatorship
by Liz Tomlin (Senior Lecturer, University of Glasgow, UK)
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A Practical Guide to Ensemble Devising
by Davis Robinson (Bowdoin College, Brunswick, USA)
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Trish Arnold
by Lizzie Ballinger (RADA, UK)
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Last Words: Towards an Insurrection of the Poetic Imagination
by Alli Antero
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Stage Management
by Diane Norburn
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Theatre and Community
by Emine Fisek (Boazici University, Bebek, Turkey)
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Stage Combat: Unarmed (with Online Video Content)
by Roger Bartlett
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Musical Theatre
by David Henson
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The Actor and His Body
by Litz Pisk
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The Active Text
by Dymphna Callery
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The Shakespeare Company, 1594-1642
by Andrew Gurr (University of Reading)
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A Director's Guide to Stanislavsky's Active Analysis
by James Thomas (Professor, Wayne State University, USA)
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Theatre and Cancer
by Brian Lobel (, University of Chichester, CHICHESTER, UK)
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Chinese Shadow Theatre
by Fan Pen Li Chen
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Sustainable Theatre: Theory, Context, Practice
by Iphigenia Taxopoulou
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Theatre and Medicine
by Stanton B. Garner, Jr. (University of Tennessee, USA)
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Beyond Immersive Theatre
by Adam Alston
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The Invisible Actor
by Yoshi Oida
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Women and Embodied Mythmaking in Irish Theatre
by Shonagh Hill (University College Dublin)
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Immersive Theatre and Audience Experience
by Rose Biggin
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D'Oyly Carte
by Roberta Morrell
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Theatre and War
by Natalie Alvarez (Brock University, Canada)
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The Arden Research Handbook of Shakespeare and Adaptation
by Diana E. Henderson (Massachusetts Institute of Technology, USA)
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Disobedient Theatre
by Chris Johnston (Artist, UK)
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The Map
by Stef Tovar
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