Warenkorb
Kostenloser Versand
Unsere Operationen sind klimaneutral

The Variations Patrick Langley

The Variations von Patrick Langley

The Variations Patrick Langley


€17.99
Zustand - Wie Neu
Nur noch 1

Zusammenfassung

Bold and immersive, The Variations is a novel of startling originality about music and the difficulty - or impossibility - of living with the past.

The Variations Zusammenfassung

The Variations Patrick Langley

Selda Heddle, a famously reclusive composer, is found dead in a snowy field near her Cornish home. She was educated at Agnes's Hospice for Acoustically Gifted Children, which for centuries has offered its young wards a grounding in the gift - an inherited ability to tune into the voices and sounds of the past. When she dies, Selda's gift passes down to her grandson Wolf, who must make sense of her legacy, and learn to live with the newly unleashed voices in his head. Ambitious and exhilarating, The Variations is a novel of startling originality about music and the difficulty - or impossibility - of living with the past.

The Variations Bewertungen

'Ecstasy is a word I'd happily associate with Patrick Langley's lyrical and looping novel The Variations, a work with a similarly thrilling Nabokovian intrigue in the relationship between patterning, form and meaning.... The novel's epigraph - Variation is among the oldest and most basic devices in music. It originates in an inherent tendency to modify identical recurrence - is a quote from the American composer Leon Stein, and almost laughably banal when held up against Langley's humming prose. But its message is clear: it is Nabokov's magic carpet, that age-old human impulse that - like music - wants to modify, edit, exceed, transcend itself. With The Variations, Langley appears to be weaving a carpet of his own.'
- Matthew Janney, Guardian


'Langley's grandly ambitious second novel ... provides a vastly extended sense of family that stretches down the centuries into deep history.... Agnes's Hospice for Acoustically Gifted Children [is] a creation that can be placed in a line of weird invented institutions in which gifted adepts are gathered: see also Thomas Pynchon's White Visitation in Gravity's Rainbow, or David Foster Wallace's Peoria REC in The Pale King.... [A] valiant attempt to find a narrative form both to reflect and transcend our remorselessly self-centred culture.... The Variations extends our sense of individuality.'
- Paul Quinn, Times Literary Supplement


'If Hilary Mantel's Beyond Black were written by John Banville channelling M. John Harrison, the result would look something like this. And yet Langley has made something new and unexpected about how the present is, necessarily and always, an echo corridor of the past. Beautifully written, powered by a wonderfully intelligent conceptual dynamo, and deftly sprung with surprises, The Variations is an utterly original book about haunting. It is strange, resonant, and, yes, haunting.'
- Neel Mukherjee, author of The Lives of Others


'The Variations is a passionate meditation on how past and present meet and annihilate one another in the flare of individual human experience. Music is presented as a kind of weather, blustery and changeable, unlimited by its own time. It takes you up, puts you down, whirls you away. Langley's prose, lyrical and accurate, enlivens and illuminates. A tremendous, seriously ambitious novel.'
- M. John Harrison, author of Wish I Was Here


'A novel humming with deep emotional truths and pitch-perfect execution. I loved it.'
- Steven Hall, author of Maxwell's Demon


'I thought The Variations was remarkable. I loved its hallucinatory vision of music as both gift and affliction, as a sort of crystallised form of human history. A book of strange and revelatory genius'
- Anna Smaill, author of The Chimes


'A skilfully told story about inheritance and inspiration, music and time. Langley has a fine eye for detail and scene-making, and The Variations is full of startling observations and images.'
- Martin MacInnes, author of In Ascension


'[The] lack of focus...can also be its strength: discursive detours into music theory (John Cage, Arnold Schoenberg and Felix Mendelssohn); politics as seen through musical dynamics (Fascism is 'all pattern, arbitrary and inflexible... an intolerance of tension'); or the 'variations' of heredity ('some variable is always unpredictable, changing, mutating') trigger Langley's most effective and explorative prose.'
- Alexander Leissle, Art Review


'Langley uses the language of music, and of movement, to wrap around something much more propulsive: the difficulty - or impossibility - of living with the past (the past being things that are now gone), of grieving it, or anticipating it.'
- Bryson Edward Howe, The Big Ship


'A gorgeous novel... A livid and visionary brotherly love story set among our ruins. I loved it.'
- Max Porter, author of Shy (praise for Arkady)


'I haven't been able to stop thinking about [Arkady] - such a tender, hopeful tale of brotherhood and belonging, set against vividly imagined urban topographies. I haven't read anything like it in ages.'
- Sophie Mackintosh, author of The Water Cure (praise for Arkady)

Über Patrick Langley

Patrick Langley's debut novel, Arkady, was published in 2018 and longlisted for the RSL Ondaatje Prize and the Deborah Rogers Writers Prize. He lives in London.

Zusätzliche Informationen

GOR013387924
9781804270509
1804270504
The Variations Patrick Langley
Gebraucht - Wie Neu
Broschiert
Fitzcarraldo Editions
2023-09-07
464
N/A
Die Abbildung des Buches dient nur Illustrationszwecken, die tatsächliche Bindung, das Cover und die Auflage können sich davon unterscheiden.
Das Buch wurde gelesen, ist aber in gutem Zustand. Alle Seiten sind intakt, der Einband ist unversehrt. Leichte Gebrauchsspuren am Buchrücken. Das Buch wurde gelesen, sieht jedoch noch wie neu aus. Der Bucheinband weist keine sichtbaren Gebrauchsspuren auf. Gegebenenfalls ist auch ein Schutzumschlag verfügbar. Keine fehlenden oder beschädigten Seiten, keine Risse, eventuell minimale Knicke, keine unterstrichenen oder markierten Textstellen, keine beschrifteten Ränder.