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Chronicle of Opera, The:Year-by-year Four Centuries of Music, Per Michael Raeburn

Chronicle of Opera, The:Year-by-year Four Centuries of Music, Per von Michael Raeburn

Chronicle of Opera, The:Year-by-year Four Centuries of Music, Per Michael Raeburn


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Zusammenfassung

Celebrates the great eras of music and performance, mixing fact and anecdote, personalities and stylistic development with hundreds of illustrations, while key historical dates set the operas in context. This work also contains a reference section including biographies, a timeline, list of opera house openings and premieres, and more.

Chronicle of Opera, The:Year-by-year Four Centuries of Music, Per Zusammenfassung

Chronicle of Opera, The:Year-by-year Four Centuries of Music, Per: "Year-by-year Four Centuries of Music, Performance and Recording" Michael Raeburn

"The Chronicle of Opera" celebrates the great eras of music and performance, mixing fact and anecdote, personalities and stylistic development with hundreds of fascinating illustrations, while key historical dates set the operas in context. With a comprehensive reference section including biographies, a timeline, list of opera house openings and premieres, a discography and recommendations for further reading, this is the essential reference book for all lovers of the operatic arts.

Chronicle of Opera, The:Year-by-year Four Centuries of Music, Per Bewertungen

"Sumptuous artwork....The level of scholarship is first-rate, as well as tart and to the point."
"Every opera fan needs this book....The sidebars...and succulent visuals make this book one to keep."
"The special treat here is a virtual year-by-year account of international developments....Verdi good price too."
"Practical for reference and delightful for browsing....Excellent introduction for the opera novice as well as the more experienced listener."

Über Michael Raeburn

Michael Raeburn is the Editor of Heritage of Music.

Inhaltsverzeichnis

Introduction; 1. 1589 - 1761: Baroque Opera; 1589 - 1634: The New Art; 1635 - 1646: Opera in Venice; 1647 - 1677: Italian Opera Reaches Paris; 1678 - 1702: France, Germany, England; 1703 - 1716: The Second Century of Opera; 1717 - 1731: Prima Donnas and Castrati; 1732 - 1739: The Seeds of Change; 1740 - 1761: The Death of Handel; 2. 1762 - 1850: Classical and Romantic Opera; 1762 - 1775: Opera is Reborn; 1776 - 1780: Melodrama and Singspiel; 1781 - 1786: Mozart in Vienna; 1787 - 1791: Mozart's Last Operas; 1792 - 1804: Opera After the French Revolution; 1805 - 1816: Opera During the Empire; 1817 - 1821: Weber and German Romanticism; 1822 - 1828: Romantic Opera; 1829 - 1835: Bel Canto; 1836 - 1841: Successors to Rossini; 1842 - 1850: Verdi and Wagner; 3. 1851 - 1914: International Opera; 1851 - 1857: Verdi's Middle Period; 1858 - 1867: The Second Empire; 1868 - 1875: The New Repertory; 1876 - 1882: Bayreuth; 1883 - 1895: Perfect Wagnerites; 1896 - 1902: The Turn of the Century; 1903 - 1907: Revival and Rebellion; 1908 - 1914: A Blaze of Glory; 4. 1915 - 1997: The Age of Recording; 1915 - 1918: Neoclassicism; 1919 - 1925: After the War; 1926 - 1932: Opera in the Weimar Republic; 1933 - 1944: Opera in the Shadow of War; 1945 - 1953: The New Order; 1954 - 1960: Grand Opera Reborn; 1961 - 1975: Opera and Anti-Opera; 1976 - 1997: Postmodernism.

Zusätzliche Informationen

GOR011239559
9780500286678
0500286671
Chronicle of Opera, The:Year-by-year Four Centuries of Music, Per: "Year-by-year Four Centuries of Music, Performance and Recording" Michael Raeburn
Gebraucht - Wie Neu
Broschiert
Thames & Hudson Ltd
2007-05-21
260
N/A
Die Abbildung des Buches dient nur Illustrationszwecken, die tatsächliche Bindung, das Cover und die Auflage können sich davon unterscheiden.
Das Buch wurde gelesen, ist aber in gutem Zustand. Alle Seiten sind intakt, der Einband ist unversehrt. Leichte Gebrauchsspuren am Buchrücken. Das Buch wurde gelesen, sieht jedoch noch wie neu aus. Der Bucheinband weist keine sichtbaren Gebrauchsspuren auf. Gegebenenfalls ist auch ein Schutzumschlag verfügbar. Keine fehlenden oder beschädigten Seiten, keine Risse, eventuell minimale Knicke, keine unterstrichenen oder markierten Textstellen, keine beschrifteten Ränder.