Dominique Heyse-Moore is Senior Curator, Contemporary British Art, at Tate Britain. Louisa Buck is a writer and broadcaster. Since 1997, she has been the contemporary art columnist for The Art Newspaper, and is a regular reviewer on BBC radio and TV, including Front Row, Nightwaves and BBC World Service's The Strand. She has authored catalogue essays for institutions including Tate, Whitechapel Gallery, ICA London and Stedelijk Museum Amsterdam. Her books include Market Matters: The Dynamics of the Contemporary Art Market (Arts Council England 2004) and Commissioning Contemporary Art : A Handbook for Curators, Collectors and Artists (Thames & Hudson 2012). Louisa was a judge for the 2005 Turner Prize. Nathalie Olah is a freelance journalist and editor. Her writing focuses on the intersection between politics and contemporary culture, with an emphasis on marginalised and working class communities. Her work has been published widely, including in Dazed, AnOther and the Times Literary Supplement. Her first book, Steal as Much as You Can: How to Win the Culture Wars in an Age of Austerity was published by Repeater Books in 2019. She is the author of Look Again: Class (2021, Tate Publishing). Lauren Elkin is a writer and translator, most recently the author of No. 91/92: a diary of a year on the bus and the UK translator of Simone de Beauvoir's previously unpublished novel The Inseparables. Flaneuse: Women Walk the City was a finalist for the 2018 PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Editor's Choice and a Notable Books of 2017, a Radio 4 Book of the Week, and a best book of 2016 by the Guardian, the Financial Times, the New Statesman, and the Observer. It is being translated into nine languages. Amy Emmerson-Martin is Assistant Curator, Contemporary British Art, at Tate Britain.
