This new edition of ??AAPopular Music and Society??AA, fully revised and updated, continues to pioneer an approach to the study of popular music that is informed by wider debates in sociology and media and cultural studies. Astute and accessible, it continues to set the agenda for research and teaching in this area. The book begins by examining the ways in which popular music is produced, before moving on to explore its structure as text and the ways in which audiences understand and use music. Packed with examples and data on the contemporary production and consumption of popular music, the book also includes overviews and critiques of theoretical approaches to this exciting area of study and outlines the most important empirical studies which have shaped the discipline.Topics covered herein include: the contemporary organization of the music industry; the effects of technological change on production; the history and politics of popular music; gender, sexuality and ethnicity; subcultures; fans and music celebrities. For this new edition, two new chapters have been added: on performance and the body, and on the very latest ways of thinking about audiences and the spaces and places of music consumption. It will continue to be required reading for students of the sociology of culture, media and communication studies, and popular culture.