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Self/Image Amelia Jones (McGill University, Canada)

Self/Image von Amelia Jones (McGill University, Canada)

Self/Image Amelia Jones (McGill University, Canada)

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Zusammenfassung

Including over 100 illustrations from mainstream film to independent film, video art, performance and the visual arts, this book explores how technology has affected artist's abilities and forms to express themselves. It makes a companion to studies of contemporary art history, and media and cultural studies in the post-1960 period.

Self/Image Zusammenfassung

Self/Image: Technology, Representation, and the Contemporary Subject Amelia Jones (McGill University, Canada)

Including over 100 illustrations from mainstream film to independent film, video art, performance and the visual arts, this important and original book explores how technology has affected artists' abilities and forms to express themselves.

From analogue photography to more recent artistic practices including digital imaging, performance robotics and video installations, Self/Image is one of the first full length studies to investigate the complex relations among these diverse artistic practices.

This will make an excellent companion to studies of contemporary art history, and media and cultural studies in the post-1960 period.

Self/Image Bewertungen

'Self/Image... generat[es] an ethically responsible space that continues opening gaps for the emergence of differing subjectivities and bodies as well as their recognition.' - Ignaz Cassar, "The Self, the Slash, the Image", in Photography & Culture

Über Amelia Jones (McGill University, Canada)

Amelia Jones is Professor and Pilkington Chair in the History of Art, University of Manchester. She is the author of three books, including Body Art/ Performing the Subject (1998), and editor of four books, including Performing the Body/Performing the Text (1999), The Feminism and Visual Culture Reader (2003), and A Companion to Contemporary Art Since 1945 (2006).

Inhaltsverzeichnis

1. The Body and/in Representation: Hoc Est Corpus Meum Redux 2. "Beneath this Mask Another Mask": "No Movies".... (No) Bodies, (No) Cities 3. (Post)Urban Self Image: "Your Greatest Creation is the Life You Lead" 4. Cinematic Self Imaging and the Televisual Body: "Happiness is Over-Rated" 5.The Body is Not Obsolete: "Desire and Action, Digital Era" 6. The Televisual Architecture of the Dream Body. Epilogue: Flanagan's Corpse and the Limits of Representation

Zusätzliche Informationen

GOR004186208
9780415345224
0415345227
Self/Image: Technology, Representation, and the Contemporary Subject Amelia Jones (McGill University, Canada)
Amelia Jones (McGill University, Canada)
Gebraucht - Sehr Gut
Broschiert
Taylor & Francis Ltd
2006-10-13
280
N/A
Die Abbildung des Buches dient nur Illustrationszwecken, die tatsächliche Bindung, das Cover und die Auflage können sich davon unterscheiden.
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