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How to Create Light in Your Paintings Tony Paul

How to Create Light in Your Paintings By Tony Paul

How to Create Light in Your Paintings by Tony Paul


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Summary

Much of the emotion in a painting is achieved from the sensitive use of light in the subject. Without its effects paintings often look flat and bland yet it is something that many artists find quite daunting.

How to Create Light in Your Paintings Summary

How to Create Light in Your Paintings by Tony Paul

Much of the emotion in a painting is achieved from the sensitive use of light in the subject. Without its effects paintings often look flat and bland yet it is something that many artists find quite daunting. Following on from his book How to Mix and Use Colour, Tony Paul presents this structured course on the understanding and practice of tonal control. The book is divided into eight parts, culminating in a series of step-by-step demonstrations in seven different media. Subjects covered include colour and tone, how to use and control light, different kinds of light and tonal keys. Paintings by Tony and other artists are used to bring the information and the teaching to life, functioning as examples of the points being made.

About Tony Paul

Tony Paul trained at Bournemouth Art College. He started showing his work in local exhibitions then exhibited in national galleries, including the Royal Academy. He divides his time between teaching, writing and, of course, painting. He is competent in all mediums, but feels that his best work is in egg tempera. His paintings are held in many private collections, including the Duchy of Cornwall. Tony lives in Bournemouth.

Additional information

GOR009724457
9781843307075
1843307073
How to Create Light in Your Paintings by Tony Paul
Used - Like New
Hardback
IMM Lifestyle Books
2004-11-01
128
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
The book has been read, but looks new. The book cover has no visible wear, and the dust jacket is included if applicable. No missing or damaged pages, no tears, possible very minimal creasing, no underlining or highlighting of text, and no writing in the margins

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