Introduction: Film at the End of Empire; L.Grieveson .- Great Games: Film, History and Working-Through Britain's Colonial Legacy; P.Gilroy.- PART I: EMPIRE AT WAR.- The Last Roll of the Dice: Morning, Noon and Night, Empire, and the Historiography of the Crown Film Unit; M.Stollery.- India on Film: 1939-1947; R. Osborne.- Official and Amateur: Exploring Information Film in India, 1920s-1940s; R.Vasudevan.- Who Needs a Witch Doctor? African Activists and the Re-Imagining of Africa in the 1940s; P.Zachernuk.- 'Johnny Gurkha Loves a Party': The Colonial Film Archive and the Racial Imaginary of the Worker-Warrior; V.Ware.- PART II FILM/GOVERNMENT/DEVELOPMENT.- From the Inside: The Colonial Film Unit and the Beginning of the End; T.Rice.- Images of Empire on Shifting Sands: the Colonial Film Unit in West Africa in the Post-War Period; R.Smyth.- The End of Empire: The Films of the Malayan Film Unit in 1950s British Malaya; H.Muthalib.- PART III: PROJECTING AFRICA.- Projecting the Modern Colonial State: Mobile Cinema in Kenya; C.Ambler.- Poverty and Development as Themes in British Films on the Gold Coast, 1927-1957; G.Austin.- Mumbo-Jumbo, Magic and Modernity: Africa in British Cinema, 1946-1965; .- Dislocations: Some Reflections on the Colonial Compilation Film; L.Mulvey.- PART IV: AFTERTHOUGHTS ON COLONIAL FILM.- Notes on the Making of Black Balance: An Ongoing Film Essay on the Colonial Archive; F.Cesar.- The Repatriation of Jamaican Film Images; F.St.Juste.- Undoing the Colonial Archive; I.Julien.- The Colonial Regime of Knowledge: Film, Archives and Re-Imaging Colonial Power; A.Bogues.- Perennial Empire: It's Ends Provide the Means for National Despotism in Lanka Even Today; A.Parakrama.- Missing the End: Falsehood and Fantasy in Late Colonial Cinema; F.Gooding.- Index.
