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Advertising and Satirical Culture in the Romantic Period John Strachan (University of Sunderland)

Advertising and Satirical Culture in the Romantic Period By John Strachan (University of Sunderland)

Advertising and Satirical Culture in the Romantic Period by John Strachan (University of Sunderland)


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Summary

This is a study of the cultural resonance and literary influences of advertising in the late eighteenth and early nineteenth centuries. John Strachan addresses the many ways in which literary figures including George Crabbe, Lord Byron and Charles Dickens responded to the commercial culture around them.

Advertising and Satirical Culture in the Romantic Period Summary

Advertising and Satirical Culture in the Romantic Period by John Strachan (University of Sunderland)

Advertising, which developed in the late eighteenth century as an increasingly sophisticated and widespread form of brand marketing, would seem a separate world from that of the 'literature' of its time. Yet satirists and parodists were influenced by and responded to advertising, while copywriters borrowed from the wider literary culture, especially through poetical advertisements and comic imitation. This study to pays sustained attention to the cultural resonance and literary influences of advertising in the late eighteenth and early nineteenth centuries. John Strachan addresses the many ways in which literary figures including George Crabbe, Lord Byron and Charles Dickens responded to the commercial culture around them. With its many fascinating examples of contemporary advertisements read against literary texts, this study combines an intriguing approach to the literary culture of the day with an examination of the cultural impact of its commercial language.

Advertising and Satirical Culture in the Romantic Period Reviews

...[an] original, lucid, richly illustrated account...Highly recommended. -J.T. Lynch, Rutgers University, Choice
...an extremely valuable contribution to our understanding of the late Georgian era-out of which something called the Romantic period continues to be constructed. --Steven Jones, Loyola University Chicago: The Wordsworth Circle
Strachan's book makes an important contribution to the growing scholarship on what we might call popular Romanticism...Its great success resides in providing us a lexicon not just for talking about Romantic period advertising, but for reading it as an art in its own right and as a prevalent form of engagement with its socio-cultural context. erudit.org W. Michael Johnstone, University of Toronto
Drawing on a wealth of new research, Strachan shows brilliantly how advertising and art (especially satirical art) were in dialogue with each other in this period, in ways that we are still only beginning to appreciate. -Tom Mole,McGill University

Table of Contents

Introduction; 1. A 'department of literature': advertising in the Romantic period; 2. 'Humbug and co.': satirical engagements with advertising 1770-1840; 3. 'We keeps a poet': shoe blacking and the commercial aesthetic; 4. 'Publicity to a lottery is certainly necessary': Thomas Bish and the culture of gambling; 5. 'Barber or perfumer': incomparable oils and crinicultural satire; 6. 'The poetry of hair-cutting': J. R. D. Huggins, the emperor of barbers; Conclusion: 'thoughts on puffs, patrons and other matters': commodifying the book; Bibliography.

Additional information

NLS9780521293068
9780521293068
0521293065
Advertising and Satirical Culture in the Romantic Period by John Strachan (University of Sunderland)
New
Paperback
Cambridge University Press
2011-06-16
370
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
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