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The Role of Women in Work and Society in the Ancient Near East
by Brigitte Lion
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Mediated Interfaces
by Katie Warfield (Kwantlen Polytechnic University, Canada)
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The History of American Literature on Film
by Thomas Leitch (University of Delaware, USA)
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Dancefloor-Driven Literature
by Simon A. Morrison (University of Chester, UK)
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Indie Games in the Digital Age
by M.J. Clarke (Cal State LA, USA)
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Becoming Carole Lombard
by Olympia Kiriakou (Florida Atlantic University, USA)
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Pearl Jam and Philosophy
by Professor or Dr. Stefano Marino (Associate Professor of Aesthetics, University of Bologna, Italy)
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Jewellery in the Age of Modernism 1918-1940
by Dr Simon Bliss (University of Brighton, UK)
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Popular Music and Automobiles
by Dr. Mark Duffett (University of Chester, UK)
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Noir and Blanchot
by Dr William S. Allen (University of Southampton, UK)
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The Emergence of Literature
by Dr. Jacob Bittner (Independent Scholar, Denmark)
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Wim Wenders
by Olivier Delers (University of Richmond, USA)
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The Thought of Stanley Cavell and Cinema
by Dr. David LaRocca (Cornell University, USA)
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After Kubrick
by Professor Jeremi Szaniawski (University of Massachusetts Amherst, USA)
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The Acoustics of the Social on Page and Screen
by Professor or Dr. Nathalie Aghoro (Assistant Professor of American Studies, Catholic University Eichstaett-Ingolstadt, Germany)
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The Beatles and Fandom
by Dr Richard Mills (St Mary's University, Twickenham, UK)
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Living Philosophy in Kierkegaard, Melville, and Others
by Edward Mooney (Emeritus Professor of Religion and Philosophy, Syracuse University, USA)
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War Games
by Philip Hammond (London South Bank University, UK)
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Ambiguous Aggression in German Realism and Beyond
by Dr. Barbara N. Nagel (Assistant Professor of German, Princeton University, USA)
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Coraline
by Dr. Mihaela Mihailova (San Francisco State University, USA)
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Aesthetics, Digital Studies and Bernard Stiegler
by Noel Fitzpatrick (Dublin Institute of Technology, Ireland)
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Sense8
by Deborah Shaw (University of Portsmouth, UK)
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The Evolution of Electronic Dance Music
by Professor Ewa Mazierska (University of Central Lancashire, UK)
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Divergent Tracks
by Dr. Vanessa Theme Ament (Edmund F. and Virginia B. Ball Endowed Chair of Telecommunications, Independent Scholar, USA)
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Dangerous Mediations
by Professor Aine Mangaoang (University of Liverpool, UK)
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Poetry's Knowing Ignorance
by Professor Joseph Acquisto (Chair, Dept. of Romance Languages and Linguistics, University of Vermont, USA)
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Kafka's Stereoscopes
by Prof Isak Winkel Holm (University of Copenhagen, Denmark)
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Cloneliness
by Prof Michael O'Sullivan (Chinese University of Hong Kong)
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Gender, Collaboration, and Authorship in German Culture
by Prof. John B. Lyon (University of Pittsburgh, USA)
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The Metamorphoses of Myth in Fiction since 1960
by Prof Kathryn Hume (Penn State University, USA)
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Cesare Zavattini's Neo-realism and the Afterlife of an Idea
by David Brancaleone (Technological University of the Shannon, Ireland)
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Wes Anderson's Symbolic Storyworld
by Dr. Warren Buckland (Oxford Brookes University, UK)
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Illegibility
by Dr William S. Allen (University of Southampton, UK)
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Phantasmal Spaces
by Professor Mathias Fuchs (Leuphana University of Luneburg, Germany)
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Music, Memory and Memoir
by Professor or Dr. Robert Edgar (Professor of Writing and Popular Culture, York St John University, UK)
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Seeing It on Television
by Dr. Max Sexton (University of Surrey, UK)
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Martin Scorsese's Documentary Histories
by Dr. Mike Meneghetti (University of Toronto, Canada)
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Work in Progress
by Rieke Jordan (Independent Scholar, Germany)
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Jazz in Europe
by Dr Jose Dias (Manchester Metropolitan University, UK)
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£28.79
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Digital Zombies, Undead Stories
by Dr. Lawrence May (University of Auckland, New Zealand)
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Mexican Literature as World Literature
by Prof. Ignacio M. Sanchez Prado (Washington University in Saint Louis, USA)
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The Beatles on Screen
by Stephanie Fremaux (Teesside University, UK)
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Reimagining the Promised Land
by Dr. Rodney Wallis (University of New South Wales, Australia)
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Representing Australian Aboriginal Music and Dance 1930-1970
by Dr. Amanda Harris (Research Fellow, University of Sydney, Australia)
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Spectacular Posthumanism
by Professor Drew Ayers (Eastern Washington University, USA)
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The Analyst's Desire
by Dr. Mitchell Wilson (Private Practice in Psychoanalysis, USA)
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Isabelle Huppert
by Darren Waldron (University of Manchester, UK)
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Language of Ruin and Consumption
by Dr Juliane Prade-Weiss (Ludwig Maximilian University Munich, Germany)
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