Stephen Dodgson was a highly respected composer of great breadth, his style ranging from from angularly playful to deeply movingly evocative. He was particularly known for his works for guitar (he was commissioned by both John Williams and Julian Bream) but had a prolific output across many idioms. Himself a professor of composition at the Royal College of Music (and Radio 3 broadcaster), many of his orchestral works were performed by the Royal Scottish National Orchestra and the Royal Northern Sinfonia, and there has been a resurgence in his chamber works, solo songs and choral works with recent recordings by the Tippett Quartet, Karolos, Magnard Ensemble, Ailish Tynan, James Gilchrist, Roderick Williams, Marcus Farnsworth and Christopher Glynn, and Sonoro, the Marian Consort and the London Festival of Contemporary Church Music, receiving extremely favourable reviews in the likes of the 'BBC Music Magazine', 'Gramophone', 'Fanfare', 'British Music Society 'review and many more. Future recordings include an orchestral recording by dynamic young professional orchestra the Outcry Ensemble and a solo piano works CD by talented newcomer Osman Tack. ---------------------------- Editor Thomas Hyde is a composer based in London. His output includes the one-man opera, 'That Man Stephen Ward', released commercially on Resonus Classics, a string quartet, a Symphony for the BBC Scottish Symphony Orchestra, and a comedy overture based on Les Dawson premiered by the BBC National Orchestra of Wales and Dalia Stasevska. He is a member of the music department at King's College London, and in 2019 was elected to a Senior Research Fellowship at Worcester College, Oxford. He is chair of the Lucille Graham Trust, a Vice President of the Presteigne Festival and an Associate of the Royal Academy of Music. He has just completed a full-length opera, 'Aiding and Abetting', to a libretto by Sir Alexander McCall Smith (after the novel by Muriel Spark), commissioned by Scottish Opera. ---------------------------- Editor Oliver Chandler is Director of Studies in Music at Hertford and Keble Colleges, University of Oxford; he is also an academic professor at the Royal College of Music. He has co-written two books, 'Return to Riemann: Tonal Function and Chromatic Music' (RMA Monographs) and 'A Twelve-Tone Repertory for Guitar: Julian Bream and the British Serialists, 1956-1983' (GFA Monographs), and he has published on a number of other music-theoretical topics in major academic journals, including 'Music Analysis', 'Music & Letters' and 'Music Theory Online'. A keen guitarist, he was awarded the guitar-departmental prize by Trinity Laban in 2015.
