List of Figures Acknowledgments Introduction: Frankenstein in Theory Orrin N. C. Wang (University of Maryland, College Park, USA) 1. Last Words: Voice, Gesture, and the Remains of Frankenstein David L. Clark (McMaster University, Canada) 2. When Jane Met Mary; or, Frankenstein's Romantic Comedy Sonia Hofkosh (Tufts University, USA) 3. Frankenstein's Embodied Imagination: Or, the Limits of Embodied Cognition Richard C. Sha (American University, USA) 4. Non-Binary Frankenstein? Chris Washington (Francis Marion University, USA) 5. What's Love Got to Do with It? Frankenstein and Monstrous Psychoanalysis Joel Faflak (University of Western Ontario, Canada) 6. The very creature he creates: Frankenstein in the Making of Moby-Dick Samuel Otter (University of California, Berkeley, USA) 7. Finitude, Frames, and the Plot of Frankenstein Yoon Sun Lee (Wellesley College, USA) 8. Blackness and Anthropogenesis in Frankenstein Rei Terada (University of California, Irvine, USA) 9. Mediating Monstrosity: Media, Information, and Mary Shelley's Frankenstein Andrew Burkett (Union College, USA) 10. A daemon whom I had myself created: Race, Frankenstein, and Monstering Patricia A. Matthew (Montclair State University, USA) 11. The Smiles That One Is Owed: Justice, Justine, and Sympathy for a Wretch Erin M. Goss (Clemson University, USA) 12. The Utopias of Frankenstein Vivasvan Soni (Northwestern University, USA) 13. Is That All There Is? No Regrets (after 1818) Jacques Khalip (Brown University, USA) 14. Frankenstein in Practice (as Theory) Sara Guyer (University of Wisconsin, Madison, USA) Notes on Contributors Index
