'Climate Change as Social Drama brings the powerful theoretical approaches developed by cultural sociology to the study of climate change. Through a detailed rhetorical analysis of key areas of contention, Philip Smith and Nicolas Howe provide a unique and insightful perspective on the contentious debate on climate change. This intellectual intervention provides a new way to think about this issue, as well as contribut[ing] to the development of cultural sociology. Kudos to Smith and Howe.' Robert J. Brulle, Drexel University, Philadelphia
'The climate science community has long been calling for social analyses of how culture shapes public perception of climate change. Climate Change as Social Drama launches that conversation with a beautifully crafted and cogent response.' Kari Marie Norgaard, author of Living in Denial: Climate Change, Emotions and Everyday Life
'This is a wonderfully erudite and expositional book rooted in the new cultural sociology. It is also an exceptional book for our times. Climate Change as Social Drama provides theoretically original and penetrating insights into the unfolding dynamics and possibilities of recognizing climate change as one of the most serious threats confronting humankind today. Scholars and students, activists and citizens, and all those who are concerned not only with the deficiencies of climate change communications but also their unrealized possibilities should read it.' Simon Cottle, Cardiff University
'For too long, too many earnest people have believed that the key to untying the Gordian knot of climate change lay in science - more science, better science, more consensual science. In this beautifully written book, Smith and Howe decisively give the lie to this belief. The key to acting in the world is to be found in the different ways in which the social drama that is climate change is made meaningful to people. This book needs to be read by climate scientists, policy advisors, and activists alike.' Mike Hulme, King's College London
'I read this book with great interest and enthusiasm. It is well written and well argued; the authors successfully achieve their objective of 'generating scholarly debate'. They convincingly contend that ''tool kits' are only part of the equation' and then show how context and universal constructions of social dramas combine in compelling ways.' Maxwell Boykoff, American Journal of Sociology
