Inspired by Shakespeare's songs, the short poems of Emily Dickinson, and Wordsworth's Lucy poems, this collection of songlike poetry is based on the ubiquitous spread of weeds - like the shallow rooting plants, small poems can grow anywhere. In her seventh collection, Khalvati demonstrates a dazzling mastery of traditional forms and experiments with the Ghazal, an ancient Persian form comprised of an unrhymed couplet. Evoking three generations and geographies of women, The Meanest Flower reinstates the joyful, audible aspect of the lyric.