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Class Acts Michael Naas

Class Acts By Michael Naas

Class Acts by Michael Naas


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Summary

Class Acts looks at two often neglected aspects of Derrida's work as a philosopher, his public lectures and his teaching, along with the question of the speech act that links them, that is, the question of what one is doing when one speaks in public in these ways.

Class Acts Summary

Class Acts: Derrida on the Public Stage by Michael Naas

Class Acts examines two often neglected aspects of Jacques Derrida's work as a philosopher, his public presentations at lectures and conferences and his teaching, along with the question of the speech act that links them. What, Michael Naas asks, is one doing when one speaks in public in these ways?
The book follows Derrida's itinerary with regard to speech act theory across three public lectures, from 1971 to 1997, all given, for reasons the book seeks to explain, in Montreal. In these lectures, Derrida elaborated his critique of J. L. Austin and his own subsequent redefinition of speech act theory. The book then gives an overview of Derrida's teaching career and his famous seminar presentations, along with his own explicit reflections on pedagogy and educational institutions beginning in the mid-1970s. Naas then shows through a reading of three recently published seminars-on life death, theory and practice, and forgiveness-just how Derrida the teacher interrogated and deployed speech act theory in his seminars. Whether in a conference hall or a classroom, Naas demonstrates, Derrida was always interested in the way spoken or written words might do more than simply communicate some meaning or intent but might give rise to something like an event. Class Acts bears witness to the possibility of such events in Derrida's work as a pedagogue and a public intellectual.

About Michael Naas

Michael Naas is Professor of Philosophy at DePaul University. His most recent books include The End of the World and Other Teachable Moments: Jacques Derrida's Final Seminar (2015), Plato and the Invention of Life (2018), and Don DeLillo, American Original: Drugs, Weapons, Erotica, and Other Literary Contraband (2020).

Table of Contents

Abbreviations of Works Cited | xi
Introduction: The Program | 1
Part I: Derrida in Montreal
(A Play in Three Speech Acts )
Argument and Dramatis Personae | 13
Act 1. The Context (1971) | 15
Intermission 1: Glyph 1 | 41
Act 2. The Signature (1979) | 45
Intermission 2: Glyph 2 | 55
Act 3. The Event (1997) | 59
Encore: Cocoon | 69
Part II: The Open Seminar
The Counter-Program (Syllabus) | 75
Class 1. Agregations: The Chance of Life Death (1975-76) | 93
Class 2. Education in Theory and Practice (1976-77) | 111
Class 3. Grace and the Machine: Perjury and Pardon (1997-98) | 127
Conclusion: Actes de naissance | 149
Acknowledgments | 157
Notes | 159
Index | 183

Additional information

NGR9780823298402
9780823298402
082329840X
Class Acts: Derrida on the Public Stage by Michael Naas
New
Paperback
Fordham University Press
2021-10-05
192
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
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