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Unfinished Business Michael Bracewell

Unfinished Business By Michael Bracewell

Unfinished Business by Michael Bracewell


£10.50
New RRP £16.99
Condition - Like New
Only 1 left

Summary

The first novel in twenty years from 'the most under-appreciated of our living fiction writers' (John Burnside)

Unfinished Business Summary

Unfinished Business by Michael Bracewell

UNFINISHED BUSINESS focuses on an ordinary suburban office worker, fundamentally weak but always keeping his eyes fixed on some horizon where a heightened, romantic, better world must surely exist. Faced with the regular stuff of life - work, aspiration, marriage, age, divorce, bereavement - his ordinary plight is sharpened, becoming increasingly urgent. Having lived in a modern condition, confusing pleasure with happiness, wanting the dream to deliver, what do you do when you notice the shadows begin to lengthen on the lawn?

About Michael Bracewell

Michael Bracewell is the author of six novels and two works of non-fiction including SAINT RACHEL, PERFECT TENSE, REMAKE/REMODEL and ENGLAND IS MINE.

His writing has been published in THE FABER BOOK OF POP and a selection of his writings on art and culture, THE SPACE BETWEEN was published in 2012.

He has written widely on modern and contemporary art, most notably about the work of Bridget Riley and Richard Hamilton on the occasion of recent exhibitions of their work at The National Gallery, London. Also on the art of Damien Hirst and Gilbert & George for the Tate Gallery, London.

His most recent publications include the Introduction to a new edition of Oscar Wilde's classic essay, 'The Critic As Artist'.

Additional information

GOR013228756
9781399604390
1399604392
Unfinished Business by Michael Bracewell
Used - Like New
Hardback
Orion Publishing Co
2023-01-19
192
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
The book has been read, but looks new. The book cover has no visible wear, and the dust jacket is included if applicable. No missing or damaged pages, no tears, possible very minimal creasing, no underlining or highlighting of text, and no writing in the margins

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