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Cartography Matthew H Edney

Cartography By Matthew H Edney

Cartography by Matthew H Edney


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Summary

Rather than treating maps as a single, unified group, Edney argues, scholars need to take a processual approach that examines specific types of maps-sea charts versus thematic maps, for example-in the context of the unique circumstances of their production, circulation, and consumption.

Cartography Summary

Cartography: The Ideal and Its History by Matthew H Edney

Over the past four decades, the volumes published in the landmark History of Cartography series have both chronicled and encouraged scholarship about maps and mapping practices across time and space. As the current director of the project that has produced these volumes, Matthew H. Edney has a unique vantage point for understanding what cartography has come to mean and include. In this book Edney disavows the term cartography, rejecting the notion that maps represent an undifferentiated category of objects for study. Rather than treating maps as a single, unified group, he argues, scholars need to take a processual approach that examines specific types of maps-sea charts versus thematic maps, for example-in the context of the unique circumstances of their production, circulation, and consumption. To illuminate this bold argument, Edney chronicles precisely how the ideal of cartography that has developed in the West since 1800 has gone astray. By exposing the flaws in this ideal, his book challenges everyone who studies maps and mapping practices to reexamine their approach to the topic. The study of cartography will never be the same.

Additional information

GOR010682138
9780226605685
022660568X
Cartography: The Ideal and Its History by Matthew H Edney
Used - Like New
Paperback
The University of Chicago Press
20190402
296
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
The book has been read, but looks new. The book cover has no visible wear, and the dust jacket is included if applicable. No missing or damaged pages, no tears, possible very minimal creasing, no underlining or highlighting of text, and no writing in the margins

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