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New Territories in Modernism Laura Wainwright

New Territories in Modernism By Laura Wainwright

New Territories in Modernism by Laura Wainwright


£8.50
New RRP £24.99
Condition - Very Good
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Summary

Looking at the work of eight key Anglophone Welsh writers, this book argues that Welsh writing in English in the period 1930-49 saw the emergence of a distinct Welsh Modernism that now challenges conventional literary histories and, in more than one sense, takes Modernism and Modernist studies into new territories.

New Territories in Modernism Summary

New Territories in Modernism: Anglophone Welsh Writing, 1930-1949 by Laura Wainwright

Until very recently, Welsh literary Modernism has been critically neglected, both within and outside Wales. This is the first book devoted solely to the study of Welsh literary Modernism, revealing and examining eight key Anglophone Welsh writers. Laura Wainwright demonstrates how their linguistic experimentation constituted an engagement with the unprecedented linguistic, social and cultural changes that were the making of modern Wales, and formed the crucible for the emergence of a distinct Welsh Modernism. This study of Welsh Modernism challenges conventional literary histories and, in more than one sense, takes Modernism and Modernist studies into new territories.

Table of Contents

General Editor's Preface Acknowledgements Introduction 1 'The dissolving and splitting of solid things': Welsh Modernism's 'crisis of language' 2 'Always observant and slightly obscure': Lynette Roberts as Welsh Modernist 3 Vernon Watkins's 'modern country of the arts' 4 Cadaques and Carmarthenshire: the Modernist 'heterotopias' of Salvador Dali and Dylan Thomas 5 'Hellish funny': The grotesque Modernism of Gwyn Thomas and Rhys Davies Conclusion Notes Bibliography Index

Additional information

GOR013374525
9781786832177
1786832178
New Territories in Modernism: Anglophone Welsh Writing, 1930-1949 by Laura Wainwright
Used - Very Good
Paperback
University of Wales Press
20180315
256
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
This is a used book - there is no escaping the fact it has been read by someone else and it will show signs of wear and previous use. Overall we expect it to be in very good condition, but if you are not entirely satisfied please get in touch with us

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