Shakespeare's Contested Nations examines the way in which performed Shakespearean history replicates exclusions, critiques narrative omissions, and affords opportunities to tell new stories about the nation as an ever-changing multicultural body.
Shakespeare, Theatre, Performance, History, adaptation, politics, postcolonial United Kingdom, race, gender, television, movie
L. Monique Pittman is Professor of English and Director of the J. N. Andrews Honors Program at Andrews University, USA.
Acknowledgements
Introduction: Representing the Nation's History
Index