'Forceful ... Re-centres coloniality in Britain's past and present in a way that articulates what so many of us experience as the embodied reality of being in Britain, but so rarely get space to voice: that colonialism and its continued methods of control'
-- Suhaiymah Manzoor-Khan, poet and author of 'Postcolonial Banter' (Verve Poetry Press, 2019)
'An excellent and intelligently argued book. It neatly charts the transformation of colonial techniques 'at home' and how Britain was reconfigured in postcolonial terms'
-- Gurminder K Bhambra, author of 'Rethinking Modernity: Postcolonialism and the Sociological Imagination' (Palgrave Macmillan, 2007)
'An indispensable read for those who want to both understand and put aside the at once Eurocentric and nationalist lens of Brexit debates'
-- Angela Mitropoulos, author of 'Contract & Contagion: From Biopolitics to Oikonomia' (Minor Compositions, 2012) and 'Pandemonium Proliferating Borders of Capital and the Pandemic Swerve' (Pluto, 2020)
'A must-read for understanding Britain today. Britain is colonial, and the beauty of Trafford's riveting book is to show just how much this simple fact explains of recent British history'
-- Nick Srnicek, author of 'Platform Capitalism, Inventing the Future: Postcapitalism and a World Without Work' (Polity Press, 2016)
'Evocative ... unflinchingly unveils the workings of race as a 'technology that forms part of the machinery of colonialism'. Essential reading for an understanding of how and why white Britishness negates those who are 'in, but not of' it'
-- Alana Lentin, Associate Professor of Cultural and Social Analysis at Western Sydney University and author of 'Why Race Still Matters' (Polity, 2020)
'A fascinating expose of Britain as an ongoing colonial project. Deftly provides us with the counternarratives we need to think imaginatively about how to dismantle and ultimately end British colonialism'
-- Dr Nadine El-Enany, Co-Director, Centre for Research on Race and Law and author of '(B)ordering Britain: Law, Race and Empire' (MUP, 2019)
