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Temporally and stylistically expansive, Babyn Yar keeps company with other recent poetry that confronts the costs of war and genocide: Solmaz Sharif's Look, Monica Sok's A Nail the Evening Hangs On, and Ilya Kaminsky's Deaf Republic. Each poetic work catalogs grief intimately in the aftermath of political violence. That the Russia-Ukraine War is ongoing at the time of this writing infuses the anthology with a terrible urgency. -- Kathryn Savage * World Literature Today *
Remind[s] the reading public of not only the necessity of remembering history and taking a stand against evil, but also about the necessity of poetry as witness during a time of great atrocity. -- Nicole Yurcaba * New Eastern Europe *

Ostap Kin is the translator and editor of the anthology New York Elegies, which won the American Association for Ukrainian Studies' Prize for Best Translation, and is the cotranslator of Serhiy Zhadan's A New Orthography and Yuri Andrukhovych's Songs for a Dead Rooster. He is Research Center Coordinator at the Zimmerli Art Museum at Rutgers University. John Hennessy is the author of two poetry collections, Coney Island Pilgrims and Bridge and Tunnel. He is the poetry editor of The Common and is Senior Lecturer in the Department of English at the University of Massachusetts, Amherst. With Ostap Kin, Hennessy translated Serhiy Zhadan's collection A New Orthography, for which they won the John Frederick Nims Memorial Prize for Translation.