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Transforming Ethnomusicology Volume I Beverley Diamond (Professor Emerita of Ethnomusicology, Professor Emerita of Ethnomusicology, Memorial University of Newfoundland)

Transforming Ethnomusicology Volume I By Beverley Diamond (Professor Emerita of Ethnomusicology, Professor Emerita of Ethnomusicology, Memorial University of Newfoundland)

Summary

This two-volume collection transforms our understanding of the discipline of ethnomusicology by exploring how ethnomusicologists can contribute to positive social and environmental change within institutional frameworks. The first volume focuses on ethical practice and collaboration and offers strategies for promoting institutional and methodological change.

Transforming Ethnomusicology Volume I Summary

Transforming Ethnomusicology Volume I: Methodologies, Institutional Structures, and Policies by Beverley Diamond (Professor Emerita of Ethnomusicology, Professor Emerita of Ethnomusicology, Memorial University of Newfoundland)

For decades, ethnomusicologists across the world have considered how to affect positive change for the communities they work with. Through illuminating case studies and reflections by a diverse array of scholars and practitioners, Transforming Ethnomusicology aims to both expand dialogues about social engagement within ethnomusicology and, at the same time, transform how we understand ethnomusicology as a discipline. The first volume of Transforming Ethnomusicology focuses on ethical practice and collaboration, examining the power relations inherent in ethnography and offering new strategies for transforming institutions and ethnographic methods. These reflections on the broader framework of ethnomusicological practice are complemented by case studies that document activist approaches to the study of music in challenging contexts of poverty, discrimination, and other unjust systems.

Transforming Ethnomusicology Volume I Reviews

A highly original and unusually rewarding read. If anyone wondered what twenty-first century ethnomusicology could become, Transforming Ethnomusicology provides creative ideas and inspiration. Bursting with fresh insights, it speaks to issues of major concern and defines the field. * Lee Tong Soon, Lehigh University, general editor of the Yearbook for Traditional Music *
A testament to the labor of activism, advocacy, and community involvement, Transforming Ethnomusicology lays the groundwork for contemporary practices in applied research that frame the multidimensional roles of scholarly involvement in music-driven social justice DL a timely contribution to the field. * Adriana Helbig, Associate Professor of Music, University of Pittsburgh *

About Beverley Diamond (Professor Emerita of Ethnomusicology, Professor Emerita of Ethnomusicology, Memorial University of Newfoundland)

Beverley Diamond is Professor Emerita at Memorial University of Newfoundland where she served as the first Canada Research Chair in Ethnomusicology and founded and directed the Research Centre for the Study of Music, Media, and Place (MMaP) from 2003-15. Diamond is known for her feminist music research and her work on Canadian cultural historiography and Indigenous music cultures in North America and Scandinavia. Salwa El-Shawan Castelo-Branco is Professor of Ethnomusicology at the Faculty of Social Sciences and Humanities of the Nova University of Lisbon, Portugal, where she founded and directs the Ethnomusicology Institute - Center for the Study of Music and Dance (INET-md). Her publications focus on cultural politics, musical nationalism, identity, music media, modernity, heritagization, and music and conflict in Portugal, Egypt, and Oman.

Table of Contents

Ethnomusicological Praxis: An Introduction Beverley Diamond and Salwa El-Shawan Castelo-Branco Chapter 1: Changing Praxis and Ethical Practice: Lessons for Ethnomusicology from Applied Anthropology Tony Seeger Chapter 2: International Council for Traditional Music and Society for Ethnomusicology: A Reflection through Two Complementary Lenses Svanibor Pettan Chapter 3: Collaborative Ethnography: Trends, Developments, and Opportunities Luke Eric Lassiter Chapter 4: Sincerely Outspoken: Towards a Critical Activist Ethnomusicology David A. McDonald Chapter 5: How Is that Going to Help Anyone? A Critical Activist Ethnomusicology Oliver Y. Shao Chapter 6: Praxis through Honk: The Rise of Politically Active Street Brass Bands in the United States Becky Liebman Chapter 7: Zafe Fatra (The Affair of Trash) and the Affair of Scholarly Engagement: Can Music (and Music Scholarship) Really Clean Up the Streets of Port-au-Prince? Rebecca Dirksen Chapter 8: Engaged Activist Research: Dialogical Interventions Towards Revitalizing the Chinese Glove Puppet Theatre in Penang Tan Sooi Beng Chapter 9: On Not Knowing: Academically Based Community Service, Faith Based Organizations, and the Transformation of Ethnomusicological Praxis Carol Muller and Nina OEhman Chapter 10: Performing Transitional Justice: Song, Truth-telling and Memory in South Sudan Angela Impey Chapter 11: Witnessing: A Methodology Deborah Wong

Additional information

NLS9780197517611
9780197517611
0197517617
Transforming Ethnomusicology Volume I: Methodologies, Institutional Structures, and Policies by Beverley Diamond (Professor Emerita of Ethnomusicology, Professor Emerita of Ethnomusicology, Memorial University of Newfoundland)
New
Paperback
Oxford University Press Inc
2021-10-08
272
N/A
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Customer Reviews - Transforming Ethnomusicology Volume I