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The Cambridge Companion to Dante's 'Commedia' Zygmunt G. Baranski (University of Notre Dame, Indiana)

The Cambridge Companion to Dante's 'Commedia' By Zygmunt G. Baranski (University of Notre Dame, Indiana)

The Cambridge Companion to Dante's 'Commedia' by Zygmunt G. Baranski (University of Notre Dame, Indiana)


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Summary

A comprehensive and informative account of Dante's masterpiece, the Commedia, in essays by leading scholars. Chapters cover the main themes and motifs of the poem, its handling of narrative and literary matters, its cultural context, and its hugely influential afterlife, through textual transmission and readers' responses over the centuries.

The Cambridge Companion to Dante's 'Commedia' Summary

The Cambridge Companion to Dante's 'Commedia' by Zygmunt G. Baranski (University of Notre Dame, Indiana)

This newly commissioned volume presents a focused overview of Dante's masterpiece, the Commedia, offering readers of today wide-ranging insights into the poem and its core features. Leading scholars discuss matters of structure, narrative, language and style, characterization, doctrine, and politics, in chapters that make their own contributions to Dante criticism by raising problems and questions that call for renewed attention, while investigating contextual concerns as well as the current state of criticism about the poem. The Commedia is also placed in a variety of cultural and historical contexts through accounts of the poem's transmission and reception that explore both its contemporary influence and its continuing legacy today. With its accessible approach, its unstinting focus on the poem and its attention to matters that have not always received adequate critical assessment, this volume will be of value to all students and scholars of Dante's great poem.

About Zygmunt G. Baranski (University of Notre Dame, Indiana)

Zygmunt Guido Baranski is Serena Professor of Italian Emeritus at the University of Cambridge and Notre Dame Chair of Dante and Italian Studies at the University of Notre Dame. Among his publications are 'Sole nuovo luce nuova'. Saggi sul rinnovamento culturale in Dante (1996), Dante e i segni (2000), 'Chiosar con altro testo'. Leggere Dante nel Trecento (2001) and with Lino Pertile Dante in Context (Cambridge, 2015). Simon Gilson is Agnelli-Serena Professor of Italian at the University of Oxford and Fellow of Magdalen College. He is the author of Dante and Renaissance Florence (Cambridge, 2005) and Reading Dante in Renaissance Italy: Florence, Venice and the 'Divine Poet' (Cambridge, 2018).

Table of Contents

Introduction Zygmunt G. Baranski and Simon Gilson; 1. Narrative structure Lino Pertile; 2. Dante Alighieri, Dante-poet, Dante-character Giuseppe Ledda; 3. Characterization Laurence E. Hooper; 4. Moral structure George Corbett; 5. Title, genre, metaliterary aspects Theodore J. Cachey, Jr; 6. Language and style Mirko Tavoni; 7. Allegories of the corpus James C. Kriesel; 8. Classical culture Simone Marchesi; 9. Vernacular literature and culture Tristan Kay; 10. Religious culture Paola Nasti; 11. Doctrine Simon Gilson; 12. Politics Claire E. Honess; 13. Genesis, dating, and Dante's 'other works' Zygmunt G. Baranski; 14. Transmission history Prue Shaw; 15. Early reception until 1481 Anna Pegoretti; 16. Later reception from 1481 to the present Fabio Camilletti.

Additional information

NLS9781108431705
9781108431705
1108431704
The Cambridge Companion to Dante's 'Commedia' by Zygmunt G. Baranski (University of Notre Dame, Indiana)
New
Paperback
Cambridge University Press
2018-12-20
326
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
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