Introduction
1 Pitching the Peaks: Media Advertising for the Original Series
James Deaville
2 Listen to the Sounds: Fan Engagement with the Soundtrack of Twin Peaks: The Return (2017)
Jessica Getman
3 Where Music is Always in the Air: Voice and Nostalgia in Twin Peaks
Brooke McCorkle Okazaki
4 The Bang Bang Bar, Silencio, and Lynch's Audiences: Meaning and Musical Performance in Twin Peaks: The Return
Katherine M. Reed
5 The Music is Not What It Seems: An Examination of Labor and Capital in the Music of Twin Peaks: The Return
Martha Schulenburg
6 Singer; Girl Singer; Roadhouse Singer; Herself: Julee Cruise in the World of Twin Peaks
David Sweeney
7 The Thread Will Be Torn: Sound Design as a Measure of Self-Knowledge in Twin Peaks: Fire Walk With Me
Andrew Burt
8 Sound Design, Music, and The Birth of Evil in Twin Peaks: The Return
Kingsley Marshall and Rupert Loydell
9 What is Gordon Cole Listening To?: The Rhetoric of Subjective Sound in Twin Peaks: The Return
Zeynep Toraman
10 David Lynch's Metaphysical Sound Design: The Acousmatic Personification of Judy
Steven Wilson
11 Americana on the Internet: Listening to Twin Peaks
William Weston Bennett
12 Like Some Haunting Melody: The Laura Palmer Theme in the World of Twin Peaks
Andrew Kohler
13 Listen to the Skins: Drumming and Time in Twin Peaks
Kai West
14 Chaos and Creation: Music, Redemption, and the Atomic Bomb in Twin Peaks: The Return
Reba A. Wissner