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The Louvre Michel Laclotte

The Louvre By Michel Laclotte

The Louvre by Michel Laclotte


$92.99
Condition - Like New
Only 1 left

Summary

More than 450 beautifully printed colour reproductions illustrate the masterpieces of this unique museum.

The Louvre Summary

The Louvre: Paintings by Michel Laclotte

Louis XVI planned the transformation of the Louvre from a royal palace to public museum. But it was the revolution which gave the true stimulus and the Grande Gallerie was finally opened by Napoleon in 1793. With the opening of the Richelieu wing in the former Ministry of Finance, French painting is now superbly displayed in chronological order from its origins to the mid-nineteenth century, while the great masterpieces of Italian, Flemish, Dutch and German paintings are shown as never before. Michel Laclotte, former curator of the Museums, and Jean-Pierre Cuzin, Head Curator of the Department of Paintings, describe the origins and development of the different schools in a highly readable and informative text.

Table of Contents

Chronology French Painting Jean-Pierre Cuzin Introduction The primitive and the sixteenth century The seventeenth century The end of Louis XI's reign and the Regency The mid-eighteenth century The neo-classical period The nineteenth century European Painting Michel Laclotte Introduction The fourteenth and fifteenth centuries in Italy The sixteenth century in Italy The fifteenth and sixteenth centuries in Flanders and Holland The seventeenth century in Flanders The seventeenth century in Holland Spain The seventeenth and eighteenth centuries in Italy The Germanic and Scandinavian countries Great Britain

Additional information

GOR010731435
9782866562366
2866562364
The Louvre: Paintings by Michel Laclotte
Used - Like New
Paperback
Scala Publishers Ltd
19990101
288
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
The book has been read, but looks new. The book cover has no visible wear, and the dust jacket is included if applicable. No missing or damaged pages, no tears, possible very minimal creasing, no underlining or highlighting of text, and no writing in the margins

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