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Broadway and Corporate Capitalism M. Schwartz

Broadway and Corporate Capitalism By M. Schwartz

Broadway and Corporate Capitalism by M. Schwartz


Summary

Through an examination of plays, actors, reviews, and audience response of the period, this study traces the development of Broadway as a source of 'mature' American drama, and the simultaneous development of Professional-Managerial Class consciousness and habitus.

Broadway and Corporate Capitalism Summary

Broadway and Corporate Capitalism: The Rise of the Professional-Managerial Class, 1900-1920 by M. Schwartz

Through an examination of plays, actors, reviews, and audience response of the period, this study traces the development of Broadway as a source of 'mature' American drama, and the simultaneous development of Professional-Managerial Class consciousness and habitus.

Broadway and Corporate Capitalism Reviews

This book represents an interesting project: one that is certainly worthy of study and important to share with the scholarly community. The heart of the book examines a number of plays that are . . .very important to the development of Broadway as we know it, and more to the point of this study, important to American cultural and economic development as reflected in the theatre of the time. - Ronald Wainscott, Professor and Director of Graduate Studies, Department of Theatre and Drama, Indiana University

[T]he clear, cogent examinations prove their worth as case studies. Schwartz finds in these plays such variations on the professional-managerial character type as the neurasthenic, the college grind, and the can-do businessman. Recommended. - CHOICE

[A] valuable and overdue study presenting a vision of theatre history rarely examined. - Broadside

Schwartz turns anew to the Broadway plays on the boards, demonstrating how the three PMC character types were sometimes stark, sometimes subtle reflections of the tastes, fears, bigotries, convictions and even confusions of the genteel Broadway audience. The plays and playwrights tumble forth . . . a particularly insightful glance into the American musical - The Clyde Fitch Report

About M. Schwartz

Michael Schwartz is Temporary Assistant Professor of Theatre at Indiana University of Pennsylvania, USA.

Table of Contents

1. To Stop the World: The Most Stupendous Impossibles 2. Where Do I Get Off At? The Wobblies Spurns the Hairy Ape 3. No Kick Coming: The Romantic Wobbly of Sidney Howard's They Knew What They Wanted 4. Jazzing the Wobblies: John Howard Lawson's Processionals 5. Dead Hand of the Dead: Anderson and Hickerson's Gods of the Lightning 6. We Even Sing 'em in Jap and Chink: Upton Sinclair's Workers' Theater Contribution 7. You I-Won't Work Harp: I.W.W. Elegy in The Iceman Cometh 8. Postscript: Not Time Yet

Additional information

NLS9781349380046
9781349380046
1349380040
Broadway and Corporate Capitalism: The Rise of the Professional-Managerial Class, 1900-1920 by M. Schwartz
New
Paperback
Palgrave Macmillan
2009-08-11
220
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
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