This is the story of one disappointed idealist told by another, of one unreliable narrator described by another, and it is
animated by filial love . . .
funny, moving - and surprising * Guardian *
Simultaneously
narratively courageous and utterly hilarious . . . where it leaves the reader feels
special and unique * Sunday Times *
In
Ferris's admirably risk-taking hands, this novel becomes
so much more than simply another story of failed American dreams. Ferris has made himself into the
leading writer of the American workplace . . . He understands both its absurdities (and this is another
very funny book) and its rewards, but most of all
he understands how it shapes modern America * Observer *
Ferris could write
enthralling realist fiction in his sleep but it's
the ideas and formal ingenuity that really set this novel apart . . . [he considers] the role of storytelling in families, the myths we create and the possibility that there is no such thing as telling it straight * i *
Brilliant, funny, heartbreaking . . . Family, memory, ambition and death, all told with dervishing glee. Not just a daredevil of a novel, but something truly new -- Andrew Sean Greer, author of Less
Ferris is on his finest deadpan form here, skewering contemporary America and the shallow values it embodied in the heat of the 2008 financial crash * Spectator *
Inventive and witty, tender and wise. It's a portrait of life, love and death, and much else besides * Daily Mail *
This novel is
funny - Ferris has
lovely comic timing and a great way with the sheer silliness of a family's mental and physical bric-a-brac - and
very moving * Guardian *
Dazzling . . . A more tender novel than Ferris's others, but that doesn't keep it from being murderously funny . . . [he has found] precisely the right way to meld memoir with satire, to do this with bracing originality and to keep heads spinning from this novel's first page to its last . . . he's risen to the top of his game
* New York Times *
Funny, moving, and formally a work of genius, A Calling for Charlie Barnes is quite literally the book Joshua Ferris was born to write. -- Garth Risk Hallberg, author of City on Fire
Dazzling. Mind-blowing. About as much fun as you can have without risking arrest * Richard Russo, author of Empire Falls *
A
deeply funny, very moving book . . . Ferris's hijinks are serious; his play is profound.
There is magic in these pages -- Ayad Akhtar, author of Homeland Elegies
A touching tale about the love between fathers and sons * The Times *
A passionate, well-constructed, often hilarious and, at times, profound plunge into grief, both civic and intimate, as well as a culmination (so far) of the literary explorations he has been undertaking since he arrived
-- Sam Lipsyte * New York Times Book Review *
A Calling for Charlie Barnes is
wonderful:
fast and deep, urgent and brilliant . . .
A hilarious, intimate, and scathing takedown of so many American vanities -- Dana Spiotta, author of Stone Arabia
He has proved that he's one of the best American authors of comic fiction working today. His humour is on full display but so are his intelligence and compassion. It's a masterpiece that shines a revealing light on both family and fiction itself
* NPR *
Ferris's work
cuts to the heart of who we are by focusing very painfully on who one man was . . . Consider this book
not just a work of grief or love or memoir, then, but a work of hope, too. * Publishers Weekly *
A warmly bullish but measured and reflectful voice that brings out all the humour and wisdom of the novel
* The Times, Audiobook of the Week *
Intriguing and intelligent . . . the
humour throughout is exquisitely judged . . . and the descent into metafiction, the novel's true crowning glory, is
extremely well done without ever feeling hammy or clunky * Irish Times *
A relentlessly self-reflective book
* FT *
Joshua Ferris has proved his
astonishing ability to spin gold from ordinary air . . . As
brave and adept as any writer out there * New York Times Book Review on To Rise Again at a Decent Hour *
Not too many authors have written the Great American Office Novel...
Then We Came to the End feels like
a readymade classic of the genre. . . .
A truly affecting novel about work, trust, love, and loneliness * Michael Upchurch, Seattle Times on Then We Came to the End *
Dismayingly funny in the way that only really serious books can be
* Guardian, on 'To Rise Again at a Decent Hour' *
Brilliant, funny, stomach-turningly accurate
* Observer, on 'Then We Came to the End' *
Very funny, intense and exhilarating * The Times, on 'Then We Came to the End' *
