Part I: Historical Perspectives / 1. "The Frivolous, Scantily Clad Jazzing Flapper, Irresponsible and Undisciplined": Jazz as a Feminine Domain (Bruce Johnson) / 2. "Ive Got the Haitian Blues": Mamie Desdunes and the Gendered Inflections of the Common Wind (Ben Barson) / 3. Lil Hardin Armstrong and Helen Joyner: The Forgotten Patrons of Jazz (Jeremy Brown) / 4. Queer Aesthetics and the Performing Subject in Jazz in the 1920s (Magdalena Furnkranz) / 5. Black Against the Stave: Black Modern Girls in British Interwar Jazz (Jessica Chow) / 6. Trumpet Men: Performances of Masculinity in Jazz (Aaron J. Johnson) / 7. Hard Bop Cool Pose: Bebop, the Blues, and Masculinity in the Music of Lee Morgan (Keith Karns) / 8. Toward a Feminist Understanding of Jazz Curatorship (Kara Attrep) / 9. The Girl in the Other Room: Generating New Open Knowledge for the Women of Jazz (M. Cristina Pattuelli and Karen Li-Lun Hwang) / 10. The Rise of Queermisia in Jazz: Medicalization, Legislation, and Its Effects (Chloe Resler) / 11. Constructing a Diverse and Inclusive Jazz Tradition: A Uchronic Narrative (Michael Kahr) / Part II: Identity and Culture / 12. Playing the Part: A Social-Psychological Perspective on Being a Girl in Jazz (Erin L. Wehr) / 13. Gender, Sexuality, and Jazz Saxophone Performance (Yoko Suzuki) / 14. A Clash of Identities: How Aspects of Gender and Identity in Jazz Influence Both the Music and Its Perception (Wolfram Knauer) / 15. "Im Just One of Them": Gender in Jazz Competitions (Matthias Heyman) / 16. Gendered Interventions in European Jazz Festival Programming: Keychanges, Stars, and Alternative Networks (Kristin McGee) / 17. Resurrecting Masculinity: Gender, Jazz Timbre, and the Afterlife of Dennis Irwins Bass (ken tianyuan Ge) / 18. Jazz Dance, Gender, and the Commodification of the Moving Body: Examining Patriarchal and White Supremacist Structures in Social and Commercial Jazz Dance Forms (Brandi Coleman) / 19. Womens Access to Professional Jazz: From Limiting Processes to Levers for Transgression (Marie Buscatto) / 20. "It Aint Who You Are": Authenticity, Sexuality, and Masculinity in Jazz (Ann Cotterrell) / Part III: Society and Education / 21. Oppression and Hope: Students Perceptions of Gender and Stereotypes in Jazz Appreciation and History (James Reddan) / 22. Picturing Women in Jazz: An Analysis of Three Jazz History Textbooks (Ramsey Castaneda and Amanda Quinlan) / 23. Degendering Jazz Guitar: Reimagining the Past - Realigning the Future (Tom Williams) / 24. "Music Saved My Live": Jennifer Leitham on Life, Music, and Gender (Joshua Palkki, Carl Oser, and Jennifer Leitham) / 25. Can E-Flat Be Sexist? Canonical Keys as Marginalizing Practice in Jazz (Wendy Hargreaves and Melissa Forbes) / 26. Inclusive Jazz History Pedagogy (Sonya R. Lawson) / 27. Negotiating Hegemonic Masculinity in Australian Tertiary Jazz Education (Robert Burke and Clare Hall) / 28. Jazzwomen in Higher Education: Experiences, Attitudes, and Personality Traits (Natalie Boeyink) / 29. The Gender Imperative in Jazz: The Role of Intercultural Maturity in Jazz Curricula (Lenora Helm Hammonds) / 30. In Her Own Words: Documenting the Current Realities of Women-in-Jazz (Kiernan Steiner and Alexandra Manfredo) / 31. Call and (Her) Response: Improvisation and the Myth of Absence (Dana Reason) / Part IV: Policy and Advocacy / 32. Victims No More: How Women and Non-Binary Musicians are Collaborating for Gender Justice in Jazz(Beatriz Nunes and Leonor Arnaut) / 33. Women in Jazz: A Failed Brand (Rebecca Zola) / 34. Accessing Jazzs Gendered Places and Spaces (Sarah Caissie Provost) / 35. Breaking Down Barriers: Female Jazz Musicians in Spain (Rebeca Munoz-Garcia) / 36. The Pale Image of the Jazz Female Instrumentalists in Southeastern Europe (Jasna Jovicevic) / 37. Addressing Gender Imbalance through Mentorship and Advocacy (Ellen Rowe) / 38. Sheroes The Role of All-Women Groups (Monika Herzig)
