ACKNOWLEDGMENTS
Introduction
PART I Playing Objectives
Chapter 1 Money in Your Pocket: Meisner, Objectives, and the First Six Lines
DENNIS SCHEBETTA
Chapter 2 Psychological Gesture: Michael Chekhov Exercises on Physicalizing the Objective
ANJALEE DESHPANDE HUTCHINSON
Chapter 3 Making Sport of Objectives: Teaching through Student-Developed Physical Competition
JOHN KAUFMANN
Chapter 4 Structured Improvised Scenes
TIMOTHY JOHNSON
Chapter 5 Scoring the Un-Scorable
MARIA PORTER
Chapter 6 Creating a Physical Score in a Snap: Using Social Media to Appeal to the Smartphone Generation
TOM PACIO
PART II Overcoming Obstacles
Chapter 7 Engaging Obstacles
KEVIN HOFFMANN
Chapter 8 Active Obstacle Image Scoring
DAVID HUGO
Chapter 9 Resistance
JANET HAYATSHAHI
Chapter 10 Returning the Dress: Demonstrating Objectives, Obstacles, and Tactics
DAVIDA BLOOM
Chapter 11 Improvised Fantasies: Heightening Objectives and Obstacles in Scene Work
HILLARY HAFT BUCS
Chapter 12 Optimizing the Obstacle: Using Indicators of Csikszentmihalyi's Flow to Help Select, Test,
and Experience Stanislavski's Obstacles
FABIO POLANCO AND DIANE BONFIGLIO
PART III Identifying Tactics
Chapter 13 The Tag-tic that Works
LYNN DEBOECK
Chapter 14 Improvising Tactical Choices Based on Status
or Who's Driving the Dramatic Action Bus?
JEAN DOBIE GIEBEL
Chapter 15 Transformational Tactics: Engaging Students
in the Heroic Pursuit of Their Objective
KIM SHIVELY
Chapter 16 Hunter/Hunted: Experiential Learning and the
Actor's Craft
VALERIE CLAYMAN PYE
Chapter 17 Tactics and Action Drives: Stanislavski
Meets Laban
CONRAD ALEXANDROWICZ
Chapter 18 Stanislavski in the Voice Studio
DERIC MCNISH
Chapter 19 Stimulating Embodied Tactical Actions
LESLEY-ANN TIMLICK
Chapter 20 NRGs and the Nature of Action: The Lessac Tactic Circle
CAROLINE GOOD
Chapter 21 Relaying Action - from Breath to Text
AARON ALPERN AND REBECCA COVEY
Chapter 22 Using Improvisation to Identify Tactics
NATHAN STITH
Chapter 23 Activating the Actor with Game Theory: Using Gamification to Create Playable Tactics on Stage
JEANNE LEEP
AFTERWORD
Chapter 24 Recording Truth: The Camera in Acting Training
WELKER WHITE
CONTRIBUTOR BIOGRAPHIES
CHAPTER ABSTRACTS
INDEX