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Modern Art in Egypt Fatenn Mostafa Kanafani

Modern Art in Egypt By Fatenn Mostafa Kanafani

Modern Art in Egypt by Fatenn Mostafa Kanafani


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Modern Art in Egypt Summary

Modern Art in Egypt: Identity and Independence, 18501936 by Fatenn Mostafa Kanafani

Following a spectacular surge in interest for Egyptian masters, Modern Art in Egypt fills the void in Egyptian art history, chronicling the lives and legacies of six pioneering artists working under the British occupation. Using Western-style academic art as a starting point, these artists championed cultural progress, re-appropriating Egyptian visual culture from European orientalists to found a neo-Pharaonic School of Realism. Modern Art in Egypt charts the years from Muhammad Alis educational reforms to the mass influx of foreigners during the nineteenth-century. With a focus on the al-Nahda thought movement, this book provides an overview of the key policy-makers, reformists and feminists who founded the first School of Fine Arts in Egypt, as well as cultural salons, museums and arts collectives. By combining political and aesthetic histories, Fatenn Mostafa breaks the prevailing understanding that has preferred to see non-Western art as derivatives of Western art movements. Modern Art in Egypt re-establishes Egypts presence within the global Modernist canon.

About Fatenn Mostafa Kanafani

Fatenn Mostafa is founder of ArtTalks | Egypt, a leading interdisciplinary, Cairo-based art space dedicated to the management of selected Egyptian artists estates - in addition to providing exhibition, publication, education and archiving services. Founded in 2009, the gallery has rigidly selected a roster of emerging artists to work exclusively with and has established itself as an authority on high quality secondary market works by twentieth century masters.

Table of Contents

INTRODUCTION PART ONE REACHING FOR MODERNITY: A MULTICULTURAL RENAISSANCE CHAPTER 1: al-Nahda: The Building Blocks of a By-Product 1.1. Producing Knowledge 1.2. Cosmopolitanism and Mass Media CHAPTER 2: EGYPT AS EXHIBITION 2.1. European Orientalism: The Art of the Other and the Foreign Complex 2.2. Orientalizing a New Industry: Villa Medici, Cercle Artistique and Exposition du Caire CHAPTER 3: ART AND ISLAM PART TWO FUNUN JAMILA: PATRONS, A STATE AND A NEW SOCIAL PLAYER CHAPTER 4: The Patrons 4.1. The Egyptian School of Fine Arts in Cairo 4.2. Societe des amis de lart, Salon du Caire and Atelier of Alexandria 4.3. La Chimere and the Art Advocacy Group 4.4. Cultural Salons and the Woman Question CHAPTER 5: The State 5.1. Building an Infrastructure 5.2. The Museum of Modern Art 5.3. Mohammed Mahmoud Khalil and his eponymous museum 5.4. Conclusion CHAPTER 6: The ArtistThe Emergence of a new social player 6.1. Egypt for Egyptians 6.2. Innovators vs. Conformists PART THREE AL-RUWWAD: THE FIRST-GENERATION INNOVATORS 7. Georges Sabbagh (1887-1951): The (E)migrant Son 8. Mohamed Naghi (1888-1956): Naghi dAlexandrie 9. Mahmoud Mokhtar (1891-1934): The Hyphen between Ancient and Modern 10. Ragheb Ayad (1892-1982): The Godfather of the Egyptian Gaze 11. Mahmoud Said (1897-1964): In Search of a Happy Island 12. Marguerite Nakhla (1908-1977): Life as it should be CONCLUSION Decoding 1930s Egypt: The Seeds of the Naksa TIMELINE ENDNOTES BIBLIOGRAPHY INDEX

Additional information

NPB9781838601096
9781838601096
1838601090
Modern Art in Egypt: Identity and Independence, 18501936 by Fatenn Mostafa Kanafani
New
Hardback
Bloomsbury Publishing PLC
2020-07-23
328
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
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