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Renaissance Women Poets Aemilia Lanyer

Renaissance Women Poets By Aemilia Lanyer

Renaissance Women Poets by Aemilia Lanyer


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Summary

Whitney's two volumes of verse miscellany, "Sweet Nosegay" (1573) and "The Copy of a Letter" (1567), were part of a literary trend of combining classical and Biblical references with vernacular sources. As well a selection of her original poetry, this volume includes Mary Sidney's version of the Psalms of David and Petrach's "Triumph of Death".

Renaissance Women Poets Summary

Renaissance Women Poets by Aemilia Lanyer

Whitney's two volumes of verse miscellany, 'Sweet Nosegay' (1573) and 'The Copy of a Letter' (1567), were part of a literary trend of combining classical and Biblical references with popular and vernacular sources, and reflect the growing literary appetites of the urban population. As well a selection of her original poetry, this volume includes Sidney's version of the Psalms of David and Petrach's 'Triumph of Death'. Lanyer's poetry is devotional and is the most single-minded and explicit inits advocacy of female spirituality and virtue. Included here are 'Salve Deus Rex Judaeorum' and 'The Description of Cooke-ham'.

About Aemilia Lanyer

Born into the Cheshire gentry, Isabella Whitney (c.1550-?) went into service in London and published two volumes of poetry.
Mary Sidney, Countess of Pembroke (1561-1621) worked in close literary collaboration with her brother, Sir Philip Sidney, and continued to write after his death.
Aemelia Lanyer (1569-1645), a devotional poet, was raised in the Countess of Kent's household and married an Italian musician.
Danielle Clarke is a lecturer in English at University College, Dublin.

Additional information

NGR9780140424096
9780140424096
0140424091
Renaissance Women Poets by Aemilia Lanyer
New
Paperback
Penguin Books Ltd
2001-01-25
464
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
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