Hollywood historiography theses on the philosophy of Hollywood history, Murray Smith; Nobody Knows Everything - post-classical historiographies and consolidated entertainment, Richard Maltby; economics, industry, and institutions Hollywood corporate business practice and periodizing contemporary film history, Douglas Gomery; A Major Presence in All of the World Markets - the globalization of Hollywood in the 1990s, Tino Balio; the formation of the Major Independent - Miramax, New Line, and the New Hollywood, Justin Wyatt; to the rear of the back end - the economics of independent cinema, James Shamus; aesthetics and technology from Bwana Devil to Batman Forever - technology in contemporary Hollywood cinema, Mike Allan; widescreen composition in the age of television, Steve Neale; the classical score forever? - Batman, Batman Forever and Post-classical film music, Kevin Donnelly; a cry in the dark - the role of post-classical film sound, Gianluca Sergi; a close encounter with Raiders of the Lost Ark - notes on narrative aspects of the new Hollywood blockbuster, Warren Buckland; questioning the classical - narrative and narration in the classical Hollywood cinema, Elizabeth Cowie; spectacularity and engulfment - Francis Ford Coppola and Bram Stoker's Dracula, Thomas Elsaesser; audience, address, and ideology Hollywood and independent black cinema, Tommy L. Lott; no fixed address - the women's picture from Outrage to Blue Steel, Pam Cook; new Hollywood's new women - Murder in mind - Sarah and Margie, Hilary Radner; censorship and narrative indeterminacy in Basic Instinct - You won't Learn Anything From Me I Don't Want You To Know, Steven Cohen; rich and strange - the yuppie horror film, Barry Keith Grant; would you take your child to see this film? - the cultural and social work of the family-adventure movie, Peter Kramer.
