For those inclined to dismiss Adornos take on America as the uncomprehending condescension of a mandarin elitist, David Jenemanns splendid new book will come as a rude awakening. Exploiting a wealth of new sources, he persuasively shows the depth of Adornos engagement with the culture industry and the complexity of his reaction to it. Martin Jay, Sidney Hellman Ehrman Professor of History, University of California, Berkeley

The German philosopher and cultural critic Theodor W. Adorno was one of the towering intellectual figures of the twentieth century, and between 1938 and 1953 he lived in exile in the United States. In the first in-depth account of this period of Adornos life, David Jenemann examines Adornos confrontation with the burgeoning American culture industry and casts new light on Adornos writings about the mass media. Contrary to the widely held beliefeven among his defendersthat Adorno was disconnected from America and disdained its culture, Jenemann reveals that Adorno was an active and engaged participant in cultural and intellectual life during these years.

From the time he first arrived in New York in 1938 to work for the Princeton Radio Research Project, exploring the impact of radio on American society and the maturing marketing strategies of the national radio networks, Adorno was dedicated to understanding the technological and social influence of popular art in the United States. Adorno carried these interests with him to Hollywood, where he and Max Horkheimer attempted to make a film for their Studies in Prejudice Project and where he befriended Thomas Mann and helped him craft his famous novel Doctor Faustus. Shuttling between insightful readings of Adornos theories and a rich body of archival materialsincluding unpublished writings and FBI filesJenemann paints a portrait of Adornos years in New York and Los Angeles and tells the cultural history of an America coming to grips with its rapidly evolving mass culture.

Adorno in America eloquently and persuasively argues for a more complicated, more intimate relationship between Adorno and American society than has ever been previously acknowledged. What emerges is not only an image of an intellectual in exile, but ultimately a rediscovery of Adorno as a potent defender of a vital and intelligent democracy.

David Jenemann is assistant professor of English at the University of Vermont.