This book renews attention to poetics as a worthy field of literary studies by offering a thorough and systematic examination of the narrative and philosophical significance of tense. The manner of delivery is engaging even as it remains scholarly. Fresh, at times daring, in its propositions, this work will no doubt provoke interest and generate discussion. * Galin Tihanov, George Steiner Professor of Comparative Literature, Queen Mary, University of London, UK *
Combining linguistics, literary theory and philosophy of time in particular utilising Gilles Deleuzes three paradoxes of the past and Gustave Guillaumes language theory the authors deliver a sound technical analysis of the development of the novel. Claiming that only language has the power to define the boundaries of the present, they produce an innovative and integrated fiction-narratological approach that can be used to identify the characteristics of the altermodern novel. Spanning a range of avant-garde writers, philosophers and linguists from Britain, the US, Russia, France, Italy and Germany, this study presents a fascinating insight on temporality and tense-patterns in narrative, demonstrating how the past can be as unpredictable as the future. -- Angel Dahouk * The Morning Star *
Avanessian and Hennig explore the use of the present tense in novels of the late 20th and early 21st centuries. Specifically, they borrow the art-theoretical term altermodern, first used by art scholar Nicolas Bourriaud, to categorize contemporary novels that employ a new understanding of the present tense, one that marks a break with previously published present-tense novels that employ classical narration. Avanessian and Hennig further argue that the altermodern novel reflects a new understanding of the novel's relationship to time and changes the reader's understanding of the relationship between narration and time. ... [T]he book includes some smart, well-articulated readings of novels. In fact, one of the strengths of this book is the use of exemplary passages from novels written in English, French, German, and Russian; this study does a great job of broadly surveying novels from many traditions. Summing Up: Recommended. Graduate students, researchers, faculty. -- J. J. Donahue, SUNY Potsdam * CHOICE *
How do we account for the widespread use of the present tense in contemporary narratives? What has happened to our understanding of time if a fundamental tenet of fictionalitythe idea that narratives make present something that happened in the (real or imagined) pastseems no longer operative? Drawing on narratology, cognitive science, deconstruction and philosophy of language, Avanessian and Hennig reconceptualize the relation between time and narrative; what is more, they rethink poetics as an expanded cultural theory concerned with human world-making. An impressive tour de force. * Andreas Gailus, Associate Professor of German, University of Michigan, USA *
