Warenkorb
Kostenloser Versand
Unsere Operationen sind klimaneutral

An Analysis of Arjun Appadurai's Modernity at Large Amy Young Evrard

An Analysis of Arjun Appadurai's Modernity at Large von Amy Young Evrard

An Analysis of Arjun Appadurai's Modernity at Large Amy Young Evrard


10,50
Zustand - Wie Neu
Nur noch 1

Zusammenfassung

Modernity at Large is an edited collection of the essays that made Appadurai an influential figure in cultural anthropology. Collectively, these not only present a theory of globalization, but also suggest ways that other researchers can follow up on the author's ideas.

An Analysis of Arjun Appadurai's Modernity at Large Zusammenfassung

An Analysis of Arjun Appadurai's Modernity at Large: Cultural Dimensions of Globalisation Amy Young Evrard

Arjun Appadurai's 1996 collection of essays Modernity At Large: Cultural Dimensions of Globalization helped reshape how anthropologists, geographers and philosophers saw and understood the key topic of our times: globalization.

Globalization has long been recognized as one of the crucial factors shaping the modern world - a force that allows goods, people, money, information and culture to flow across borders with relative ease. But if globalization is reshaping the world, it is also viewed with increasing suspicion - and it is still not clear how to understand and conceptualise the huge shifts that are taking place. Appadurai's work is now considered one of the most influential contributions to the field, largely because of its brilliantly creative approach to the conceptual problems posed by the deep and rapid changes that are involved.

Critical thinking lies at the heart of the author's approach to his writing. A common tactic among gifted creative thinkers is to shift a problem or argument into a novel interpretative framework, and this is exactly what Appadurai did. Modernity at Large interrogates modernity through Appadurai's notion of 'scapes,' a set of separate, interacting flows that, he suggests, cross the globalized world: ethnoscapes (the flow of people), mediascapes (flow of media), technoscapes (technological interactions), financescapes (capital flow), and ideoscapes (the flow of ideologies). By constructing this creative framework, it becomes possible to undertake, as Appadurai does, a brilliant and original investigation of what globalization really means.

Über Amy Young Evrard

Dr Amy Young Evrard holds a PhD in anthropology from Harvard University and is currently an Associate Professor in anthropology at Gettysburg College, Pennsylvania.

Inhaltsverzeichnis

Ways in to the text

Who was Arjun Appadurai?

What does Modernity at Large: Cultural Dimensions of Globalisation Say?

Why does Modernity at Large: Cultural Dimensions of Globalisation Matter?

Section 1: Influences

Module 1: The Author and the Historical Context

Module 2: Academic Context

Module 3: The Problem

Module 4: The Author's Contribution

Section 2: Ideas

Module 5: Main Ideas

Module 6: Secondary Ideas

Module 7: Achievement

Module 8: Place in the Author's Work

Section 3: Impact

Module 9: The First Responses

Module 10: The Evolving Debate

Module 11: Impact and Influence Today

Module 12: Where Next?

Glossary of Terms

People Mentioned in the Text

Works Cited

Zusätzliche Informationen

GOR013555740
9781912127313
1912127318
An Analysis of Arjun Appadurai's Modernity at Large: Cultural Dimensions of Globalisation Amy Young Evrard
Gebraucht - Wie Neu
Broschiert
Macat International Limited
2017-07-05
86
N/A
Die Abbildung des Buches dient nur Illustrationszwecken, die tatsächliche Bindung, das Cover und die Auflage können sich davon unterscheiden.
Das Buch wurde gelesen, ist aber in gutem Zustand. Alle Seiten sind intakt, der Einband ist unversehrt. Leichte Gebrauchsspuren am Buchrücken. Das Buch wurde gelesen, sieht jedoch noch wie neu aus. Der Bucheinband weist keine sichtbaren Gebrauchsspuren auf. Gegebenenfalls ist auch ein Schutzumschlag verfügbar. Keine fehlenden oder beschädigten Seiten, keine Risse, eventuell minimale Knicke, keine unterstrichenen oder markierten Textstellen, keine beschrifteten Ränder.