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In Their Own Words Helen Ivory

In Their Own Words par Helen Ivory

In Their Own Words Helen Ivory


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Résumé

In Their Own Words is a celebration of the variousness of contemporary poets living and writing in the UK today. 50-60 poets talk about their own poetic voices and their work. Essential reading for anybody who cares about poetry.

In Their Own Words Résumé

In Their Own Words: Contemporary Poets on their Poetry Helen Ivory

In Their Own Words is a celebration of the variousness of contemporary poets living and writing in the UK today. 56 poets talk about their own poetic voices and their work. Essential reading for anybody who cares about poetry.

A backstage peek behind the poetry of some of the best contemporary UK writers. Edited by T.S. Eliot prize winner George Szirtes and Helen Ivory - two of the UK's most respected poets and teachers.

In Their Own Words is an examination of the voices writing in the UK today - the book addresses multiculturalism, page and stage, and LBG issues, as well as traditional 'page' poetry.

This book is not retrospective, it is a representation of the poetry world as a living, breathing developing thing.

Readers will get an insight into the many ways the poetic voice can develop - it's a behind the scenes look at the poetics of the poetry.

There is nothing currently available quite like it.

In Their Own Words Avis

Helen Ivory is a visually precise poet, with the gift of creating stunning images with an economy of means.

-- James Sutherland-Smith

Helen Ivory creates a troubled yet beguiling world rich in irony and disquiet. She possesses a strongly-grounded narrative voice which, combined with her dextrous transformative takes both on reality and on what lies beyond reality's surface, puts one in mind of the darker side of Stevie Smith who said that poetry is a strong explosion in the sky.

-- Penelope Shuttle

[of George Szirtes] I can't think of anyone but Louis MacNeice whose work has struck me as having such a combination of sheer verbal energy, contemporary pertinence and acuity, formal legerdemain, imaginative elan and fertile, courageous strangeness.

-- Marilyn Hacker

There are none of the adept terza rima or sonnets we might expect from Szirtes here. Instead a series of narrative cries and thrusts create a feeling of chaos. Yet his use of language to interrogate language remains as uncomfortably elegant as a Leni Riefenstahl film.

-- Nancy Campbell * Poetry Review *

This engaging collection of poems and verses is best fitted for the younger end of the 8 to 12 age-group. The bset of them take a quirky, sidelong, witty look at the world, expanding on a child's observation, for example the noise a fridge makes as it digests our offerings ... the whole collection is full off infectious delight in language.

-- Peter Hollindale * The School Librarian *

À propos de Helen Ivory

Helen Ivory is a poet and artist. She has a degree from Norwich Art School and won an Eric Gregory Award in 1999. She has three collections with Bloodaxe Books, the most recent 'The Breakfast Machine' was published in 2010. She has taught for the Arvon Foundation, The Poetry School and at UEA where she is Course Director for Creative Writing for Continuing Education. She edits the webzine Ink Sweat and Tears and is an editor for The Poetry Archive. George Szirtes was born in Budapest in 1948, and came to England with his family after the 1956 Hungarian Uprising. He was educated in England, training as a painter, and has always written in English. In recent years he has worked as a translator of Hungarian literature, producing editions of such writers as Otto Orban, Zsuzsa Rakovszky and Agnes Nemes Nagy. He co-edited Bloodaxe's Hungarian anthology The Colonnade of Teeth. His Bloodaxe poetry books are The Budapest File (2000); An English Apocalypse (2001); Reel (2004), winner of the T.S. Eliot Prize; New & Collected Poems (2008) and The Burning of the Books and other poems (2009), shortlisted for the T.S. Eliot Prize 2009. Bloodaxe has also published John Sears' critical study Reading George Szirtes (2008). Szirtes lives in Norfolk and teaches at the University of East Anglia. Andy Brown is Director of the Centre for Creative Writing at Exeter University. His recent books include Hunting the Kinnayas (Stride, 2004), From a Cliff (Arc, 2002) and of Science (Worple, 2001, with David Morley). Andy Brown studied Ecology, a discipline that informs both his poetry and his criticism, which appears in The Salt Companion to the Works of Lee Harwood (Salt, 2006). He was previously a Centre Director for the Arvon Foundation's creative writing courses, and has been a recording musician. Vahni Capildeo was born in 1973, in Port-of-Spain, Trinidad. She came to England in 1991. This is her first book. Ian Duhig was born into an immigrant family and worked with homeless people for fifteen years throughout England and Ireland before becoming a writer and poet. This is reflected in attitudes to home and landscape in his work, as suggested by the epigraph for his first book from Hugh of St Victor: 'The man who loves his homeland is a beginner; he to whom every soil is as his own is strong; but he is perfect for whom the entire world is a foreign country.' Duhig has written five books of poetry, most recently The Speed of Dark (Picador, 2007) which was shortlisted for the T. S. Eliot and Costa Poetry Prizes. More recently, a short story appeared in The New Uncanny (Comma, 2008) and the cowritten God Comes Home about the legacy of David Oluwale was performed at the West Yorkshire Playhouse in February 2009. Helen Ivory is a poet and artist. She has a degree from Norwich Art School and won an Eric Gregory Award in 1999. She has three collections with Bloodaxe Books, the most recent 'The Breakfast Machine' was published in 2010. She has taught for the Arvon Foundation, The Poetry School and at UEA where she is Course Director for Creative Writing for Continuing Education. She edits the webzine Ink Sweat and Tears and is an editor for The Poetry Archive. Mark Granier's first collection, Airborne, was published in 2001. He won the Vincent Buckley Poetry Prize in 2004 and was awarded Arts Council Bursaries in 2002 and 2008. His second collection, The Sky Road, was published in 2007. Philip Gross is a writer of many parts - from prize-winning poetry to teenage novels of high suspense and unsettling depths. Son of a wartime refugee from Estonia and a Cornish schoolmaster's daughter, his work explores borderlines - between childhood and adult life, between fantasy and reality. He has two grown-up children and a grandson, and lives in Penarth with his wife Zelie. He has led writing workshops in schools for twenty years, and is Professor of Creative Writing at Glamorgan University. Luke Kennard is the author of four volumes of poetry and two pamphlets. He lectures in creative writing at the University of Birmingham. John McCullough was born in Watford in 1978. His poetry has appeared in publications including Poetry London, The Rialto, The Guardian, Magma and London Magazine. He teaches literature and creative writing at the Open University and the University of Sussex and has a Ph.d from Sussex on rhetoric and friendship in English Renaissance writing. He lives in Brighton. John Mole (b. 1941) taught for many years in this country and the USA before becoming a freelance writer and occasional jazz musician. As a poet for children he continues to give readings and run workshops in schools and libraries, and his work is represented in many anthologies. Reviewing his work in the Times Educational Supplement, Gillian Clarke wrote: 'He's one of the best, and already has many fans.' HELEN MORT was born in Sheffield and grew up in Chesterfield. She has published two poetry collections, Division Street (2013), and No Map Could Show Them (2016), and one novel, Black Car Burning (2019). Her short story collection, Exire, was published by Wrecking Ball and she co-edited One For the Road: Pubs and Poetry (Smith-Doorstop) with Stuart Maconie. She teaches creative writing at Manchester Metropolitan University. Pascale Petit has published four poetry collections including The Huntress and The Zoo Father, which were both shortlisted for the T. S. Eliot Prize and were books of the year in the Times Literary Supplement. Her latest collection is The Treekeeper's Tale (Seren, 2008) and, forthcoming from Seren in 2010, What the Water Gave Me - Poems after Frida Kahlo. The Poetry Book Society and Arts Council named her as one of the Next Generation Poets in 2004. She is widely travelled, including to coast redwood parks in California, the Venezuelan Amazon, Mexico, Kazakhstan, Nepal and China, where in 2007-8 she took part in the Yellow Mountain Poetry Festival on Huangshan in Anhui Province. She was the Royal Literary Fund Fellow at Middlesex University 2007- 9 and tutors for The Poetry School and Tate Modern. Website: www.pascalepetit.co.uk. Matthew Sweeney was born in Donegal, Ireland in 1952. He moved to London in 1973 and studied at the Polytechnic of North London and the University of Freiburg. His poetry collections include Blue Shoes (1989), Cacti (1992), The Bridal Suite (1997), A Smell of Fish (2000), Selected Poems (2002), Sanctuary (2004) and Black Moon (2007). He won a Cholmondeley Award in 1987 and an Arts Council Writers' Award in 1999. He died in 2018.

Sommaire

  • Helen Ivory and George Szirtes
  • Introduction
  • Tom Warner
  • Poetics
  • Andrew Greig
  • World at Play
  • W.N. Herbert
  • Polystylistic
  • Mark Granier
  • A Murmuration
  • Philip Gross
  • The White Bit Round The Edges
  • Vicki Feaver
  • 'HeaD Wars': Finding a Voice for a Poem
  • Mimi Khalvati
  • Ah!
  • David Morley
  • Imagining a Language into Life
  • Ira Lightman
  • Untitled
  • Agnes Lehoczky
  • Poetry: Conducting Cacophony
  • Andy Brown
  • Selvage
  • Ian Duhig
  • Office of the Wall
  • Anna Reckin
  • Milk and Thistles
  • Jen Hadfield
  • Like
  • Sarah Law
  • A Quality of Attention
  • Kona Macphee
  • poetics
  • Maitreyabandhu
  • A Tune Beyond Us
  • Julia Copus
  • Music Lessons
  • Polly Clark
  • Afterlives
  • Deryn Rees-Jones
  • from Still Life
  • Tim Turnbull
  • Work
  • Samantha Wynne Rhydderch
  • Spadework
  • Helen Mort
  • Walking the Line
  • Nigel McLoughlin
  • Making Poems
  • Jay Bernard
  • Mess Voice Mess
  • Katrina Porteous
  • Music and Silence
  • Ross Sutherland
  • Live Audiences
  • Luke Wright
  • Lines
  • Tim Wells
  • Saturday Night's Alright for Fighting
  • Antony Dunn
  • To Tell You the Truth
  • Luke Kennard
  • Between Ice Cream And Plinths
  • Matthew Sweeney
  • Poetics
  • Pascale Petit
  • The Glasshouse
  • Moniza Alvi
  • 'Subtle Knife'
  • Gregory Woods
  • Nothing Metaphysical
  • Sam Riviere
  • The Self-Demonstrating Article Article
  • Michael Symmons Roberts
  • On Poetry and Conflict
  • Karen McCarthy Woolf
  • Love, Death and Balancing Acts
  • Martin Figura
  • Everybody Knows the Troubles I've Seen
  • Jacob Sam-La Rose
  • Short Notes On Image-Making and Poetry
  • Mir Mahfuz Ali
  • I Learned My Art in Slums
  • Vahni Capildeo
  • North Coast (Trinidad) Genesis of a Poem
  • Roger Robinson
  • Tobago Fruits
  • Clare Shaw
  • Words
  • Clare Pollard
  • Note on Poetry and Thought
  • Meirion Jordan
  • Drake's Drum
  • Tiffany Atkinson
  • Irrelevant
  • Patience Agbabi
  • None of it written
  • John McCullough
  • The Historical Poem: Notes from a Frozen Island1
  • John Mole
  • Poetry, Jazz and the Sound of Surprise
  • Peter Scupham
  • Will the real Peter Scupham please stand up?
  • Alison Brackenbury
  • Wild Honey
  • Carol Rumens
  • From Shopping-Mall to Pound-Shop, or Whatevers, Grandma!
  • Carrie Etter
  • Inhabiting the Poem
  • Penelope Shuttle
  • Writing Poems
  • Esther Morgan
  • Resolutions

Informations supplémentaires

GOR007718349
9781907773211
1907773215
In Their Own Words: Contemporary Poets on their Poetry Helen Ivory
Occasion - Très bon état
Broché
Salt Publishing
20121015
272
N/A
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