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At Vanity Fair
by Kirsty Milne (University of Oxford)
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Homer: A Guide for the Perplexed
by Professor Ahuvia Kahane (Trinity College Dublin, Ireland)
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The Cambridge Introduction to Anglo-Saxon Literature
by Hugh Magennis (Queen's University Belfast)
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Cicero: Pro Marco Caelio
by Marcus Tullius Cicero
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The Rhetoric of Fictionality
by Richard Walsh
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Reception Studies
by Lorna Hardwick (The Open University, Milton Keynes)
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The Cambridge Introduction to Russian Literature
by Caryl Emerson (Princeton University, New Jersey)
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Music and Metamorphosis in Graeco-Roman Thought
by Pauline A. LeVen (Yale University, Connecticut)
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Viktor Shklovsky
by Viktor Shklovsky
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The Cambridge Companion to British Romanticism and Religion
by Jeffrey W. Barbeau (Wheaton College, Illinois)
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Shakespeare and Renaissance Ethics
by Patrick Gray (University of Durham)
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The World of Shaft
by Steve Aldous
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Plagiarizing the Victorian Novel
by Adam Abraham (Virginia Commonwealth University)
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The Cambridge Companion to Bede
by Scott DeGregorio (University of Michigan, Dearborn)
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Plutarch
by D. A. Russell
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The Cambridge Introduction to the Short Story in English
by Adrian Hunter (University of Stirling)
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Tolkien and the Study of His Sources
by Jason Fisher
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The Poetry of Ted Hughes
by Sandie Byrne
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The Art of Euripides
by Donald J. Mastronarde (University of California, Berkeley)
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The Cambridge Companion to the Sonnet
by A. D. Cousins (Macquarie University, Sydney)
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Kafka's Narrators
by Roy Pascal
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Commedia dell'Arte in Context
by Christopher B. Balme (Ludwig-Maximilians-Universitat Munchen)
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Proust and Signs
by Gilles Deleuze
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The Cambridge Companion to Shakespeare and Contemporary Dramatists
by Ton Hoenselaars (Universiteit Utrecht, The Netherlands)
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Introduction to Nineteenth-Century French Literature
by Tim Farrant
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J.R.R. Tolkien
by Peter Hunt
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The Cambridge Companion to Jorge Luis Borges
by Edwin Williamson (University of Oxford)
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Tacitus
by Rhiannon Ash
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Selected Plays by Griselda Gambaro
by Griselda Gambaro
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Horace
by Philip D. Hills
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Greek Thought
by Christopher Gill (University of Exeter)
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Shock, Memory and the Unconscious in Victorian Fiction
by Jill L. Matus (University of Toronto)
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Poems of the Masters
by Red Pine
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The Cambridge Companion to American Science Fiction
by Gerry Canavan (Marquette University, Wisconsin)
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The Cambridge Companion to Medieval Romance
by Roberta L. Krueger (Hamilton College, New York)
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Byron in Context
by Clara Tuite (University of Melbourne)
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Macbeth: A Critical Reader
by Volume editor Professor John Drakakis (University of Stirling, STIRLING)
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The Cambridge Companion to Narrative Theory
by Matthew Garrett (Wesleyan University, Connecticut)
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The Cambridge Companion to the Italian Novel
by Peter Bondanella (Indiana University)
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The Cambridge Companion to Literature and Disability
by Clare Barker (University of Leeds)
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Editing Early Modern Texts
by Michael Hunter
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A Defense of Judgment
by Michael W. Clune
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The Cambridge Introduction to Postmodern Fiction
by Bran Nicol (University of Portsmouth)
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Roots and Branches
by Tom, Shippey
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Twenty-First-Century Gothic
by Maisha Wester
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A Reader's Guide to Andrei Bely's Petersburg
by Leonid Livak
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Franz Kafka in Context
by Carolin Duttlinger (University of Oxford)
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The New Modernist Studies
by Douglas Mao (The Johns Hopkins University)
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