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Modern American Drama on Screen William Robert Bray

Modern American Drama on Screen By William Robert Bray

Modern American Drama on Screen by William Robert Bray


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Summary

The volume explores how the classics of modern national theater, including plays by Tennessee Williams, Arthur Miller, David Mamet and Eugene O'Neill, have attained a second life on the screen. Each chapter is written by a leading scholar and focuses on one of Broadway's most admired and popular productions.

Modern American Drama on Screen Summary

Modern American Drama on Screen by William Robert Bray

From its beginnings, the American film industry has profited from bringing popular and acclaimed dramatic works to the screen. This is the first book to offer a comprehensive account, focusing on key texts, of how Hollywood has given a second and enduring life to such classics of the American theater as Long Day's Journey into Night, A Streetcar Named Desire and Who's Afraid of Virginia Woolf? Each chapter is written by a leading scholar and focuses on Broadway's most admired and popular productions. The book is ideally suited for classroom use and offers an otherwise unavailable introduction to a subject which is of great interest to students and scholars alike.

About William Robert Bray

William Robert Bray is Professor of English at Middle Tennessee State University. He is the founding editor of the Tennessee Williams Annual Review and the founding director of the Tennessee Williams Scholars Conference. He is the author of Tennessee Williams and his Contemporaries (2008) and (with R. Barton Palmer) Hollywood's Tennessee: The Williams Films and Postwar America (2009). R. Barton Palmer is the Calhoun Lemon Professor of Literature at Clemson University, South Carolina, where he also directs the Film Studies program. He is the author, editor or general editor of more than 40 volumes on various literary and cinematic subjects, and a leading figure in the field of adaptation studies. Among other publications in this area, Palmer is the editor of two previous volumes for Cambridge University Press: Nineteenth-Century American Fiction on Screen (2007) and Twentieth-Century American Fiction on Screen (2007).

Table of Contents

Introduction R. Barton Palmer and William Robert Bray; 1. Realism, censorship, and social promise of Dead End Amanda Klein; 2. Screening Our Town (1940): or the problem of 'looking at everything hard enough' David Eldridge; 3. Screening Death of a Salesman: Arthur Miller's cinema and its discontents R. Barton Palmer; 4. Elia Kazan's A Streetcar Named Desire William Robert Bray; 5. Come back, little Scopophile: William Inge, Daniel Mann, and cinematic voyeurism John S. Bak; 6. The Big Knife: Hollywood's 'fable about moral values and success' Christopher Ames; 7. Adapting Lorraine Hansberry's sociological imagination: race, housing, and health in A Raisin in the Sun Martin Halliwell; 8. The Children's Hour Neil Sinyard; 9. Screening Long Day's Journey into Night Mary F. Brewer; 10. Who's Afraid of Virginia Woolf? David Lavery and Nancy McGuire Roche; 11. Sex, lies, and independent film: realism and reality in Sam Shepard's Fool for Love Annette Saddik; 12. Actor, image, action: Anthony Drazan's Hurlyburly (1998) Laurence Raw; 13. David Mamet brings film to Oleanna Brenda Murphy; 14. To what end Wit? John D. Sykes, Jr; 15. Theatrical, cinematic, and domestic epic in Tony Kushner's Angels in America (on stage and screen) Tison Pugh; Filmography.

Additional information

NLS9781316619681
9781316619681
1316619680
Modern American Drama on Screen by William Robert Bray
New
Paperback
Cambridge University Press
2016-09-01
316
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
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