A
slim, tense page turner that captures the weird melancholia of locked-down life but also the precious warmth of human connection.
I gulped The Fell down in one sitting -- Emma Donoghue
Carefully, affectingly and with emotional veracity, Moss opens out Alice's secrets along with everyone else's: the mortal fears, the losses, the mistakes. Moss
writes so compassionately about human frailty while her own work is
as close to perfect as a novelist's can be * The Times *
With
The Fell, Sarah Moss seems to have achieved the impossible: she has written
a gripping, thoughtful and revelatory book about lockdown -- Paula Hawkins, author of
The Girl on the TrainA funny, savage novel * Guardian *
Absorbing . . .
ingeniously done . . there's an intoxicating flow to much of the writing . . . a
humane, thoughtful reflection on the lockdown experience * Scotsman *
The Fell reflects the lives we have been living for the last 18 months in a way no other writer has dared to do. There is wit, there is compassion, there is a tension that builds like a pressure cooker.
This slim, intense masterpiece is one of my best books of the year -- Rachel Joyce
A
one-sitting read that's both thriller and stream of consciousness meditation on how Covid has changed our world . . .
ambitious and immersive * Red *
Moss is strong on pastoral lyricism, and
her characteristic humour is as piercing here as in her previous novels . . .
The Fell eloquently explores many of the big issues we have been facing since March 2020 * The Times *
A
masterfully tense, deeply empathetic novel about lives stilled and re-examined, and the uncertainty and danger of the world that surrounds them.
I was completely riveted by the central questions of its narrative, and by
its tender, insightful exploration of the times we are living through -- Megan Hunter, author of
The End We Start FromAgain and again, and
always with steely precision, Moss has mined both the circumstances and the consequences of isolation . . .
one of the very best British novelists writing today about contemporary life - if anyone can justify writing a pandemic novel, she's the woman for the job * Daily Telegraph *
She conjures
the fretful confinement of the pandemic with colossal skill . . .
deft and evocative . . . the operation to rescue Kate is
nail-biting. There are also scenes of unbearable poignancy . . .
shrewd and moving * i *
The pandemic is spawning some fine writing, and
this helter-skelter novel by Moss is one of the best yet. The book captures both the paranoia of the times and the kindness of strangers -- Mail on Sunday
The novel's chief achievement is the way it calcifies a specific moment in recent history . . . Moss perfectly simulates the stifling psychological confinement and ennui of locked-down life . . . Moss
writes evocatively of the stark beauty of the countryside . . .
a neat, atmospheric novel * Literary Review *
[The Fell]
leaves the reader on tenterhooks as the story builds to its conclusion. Moss perfectly captures Kate and Alice's self-isolation-induced claustrophobia . . . Some readers might not want to immerse themselves in the cabin fever of early lockdown so soon after living through it, but Moss makes a strong case for social connection being as important as our physical health for survival * Daily Mirror *
Moss steps into other people's shoes with impressive ease. Her prose is clear, low-key and compelling, its power incremental . . . The Fell is about the hazards that lurk at the edges of life. Feelingly, but without sentimentality, Moss explores what happens when you find yourself teetering on the precipice
* Herald *
The Fell is very much
a novel of our time . . . it takes note of the moment, and captures what seemed unimaginable even a year before it was set. But
it also offers hope . . . there may be a time when what is described here is, indeed, in the past, and a novel like
The Fell will help us to remember * Church Times *
It seems ever more important that fiction acknowledge the truths the pandemic has revealed to us: how connected we all are, and how much we fear one another * Guardian *
Moss is
brilliant at creating a feeling of mounting peril . . . Her humour is so black it's treacly She's also one of our best writers on the natural world . . . [
The Fell] confirms that Sarah Moss is
a writer of remarkable power, control and deftness. She's
funny, observant and very much of the moment * Oldie *
