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Imogen Cunningham - A Retrospective Paul Martineau

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Imogen Cunningham - A Retrospective By Paul Martineau

Imogen Cunningham - A Retrospective by Paul Martineau


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Summary

Thoroughly researched and beautifully produced, this catalogue complements the first comprehensive retrospective in the United States of Imogen Cunningham's work in over thirty-five years.

Imogen Cunningham - A Retrospective Summary

Imogen Cunningham - A Retrospective by Paul Martineau

Thoroughly researched and beautifully produced, this catalogue complements the first comprehensive retrospective in the United States of Imogen Cunningham's work in over thirty-five years. Celebrated American artist Imogen Cunningham (1883-1976) enjoyed a long career as a photographer, creating a large and diverse body of work that underscored her unique vision, versatility, and commitment to the medium. An early feminist and inspiration to future generations, Cunningham intensely engaged with Pictorialism and Modernism; genres of portraiture, landscape, the nude, still life, and street photography; and themes such as flora, dancers and music, hands, and the elderly. Organized chronologically, this volume explores the full range of the artist's life and career. It contains nearly two hundred color images of Cunningham's elegant, poignant, and groundbreaking photographs, both renowned and lesser known, including several that have not been published previously. Essays draw on primary sources at the Imogen Cunningham Trust, the Cunningham papers at the Archives of American Art, and contributing author Susan Ehrens's personal interviews with the artist's associates, incorporating a selection of letters, family albums, and other intimate materials to enrich readers' understanding of Cunningham's motivations and work. This volume is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center September 15, 2020, to January 10, 2021 and at the Seattle Art Museum, February 11 to May 23, 2021.

Imogen Cunningham - A Retrospective Reviews

A rare complete picture of Cunningham's oeuvre.-Alex Greenberger, ARTnews; ;This retrospective . . . remind[s] us what a beloved, tough, industrious, and supremely independent photographer and person Cunningham was. Richard B. Woodward Collector Daily;;The scholarly research that informs the text offers many surprises. Peggy Roalf DART: Design Arts Daily ;;Few women chose to become photographers at the beginning of the 20th century, yet Cunningham's images-from female nudes to Hollywood portraits-smoothed the way for countless female artists that followed. The Guardian ;;With Imogen Cunningham: A Retrospective (Getty, 245 pages, $50), editor Paul Martineau means to fix Cunningham's place in the firmament of great 20th-century American photographers. For over 70 years, Cunningham (1883-1976) innovated and excelled in many photographic genres. Her portraits, a reviewer in 1913 said, are a portrayal of the sitter's personality, spirituality-soul, if you will-which gives the beholder a sense of actual presence. While homebound taking care of her three young boys she photographed the plants in her garden, and what was said about her portraits also applies to her photographs of flora. She is one of the few to take successful nudes of both women and men. The book includes her intense Martha Graham, Dancer (1931), her celebrated Magnolia Blossom (1925) and the still startling nude Triangles (1928). William Meyers Wall Street Journal ;;This standout offering impresses on every page. Publishers Weekly ;;These days, high modernism can sometimes look as distant as a faraway star, a place of heedless optimism and tranquil contemplation. For that very reason, though, the images can be tonic, lowering one's blood pressure as they induce concentration of sight. Imogen Cunningham took up a camera at the dawn of the 20th century, when few women were working in the field, and made pictures for nearly seven decades. She took every sort of photo; portraits, street scenes and landscapes all figure brilliantly in her body of work. What she did best, though, was to convey the sensual impact of harmonious forms, finding these especially in nudes, both male and female, and in the vegetable kingdom. Imogen Cunningham: A Retrospective, by Paul Martineau, displays her ecstatic studies of flowers-lilies, tuberoses, magnolias-seen in extreme close-up as if they were worlds in themselves, and juxtaposes them with languorous sprawled bodies that become dunes and arroyos. She can turn her eye with similar entrancement to ceramics, textiles, the organically flowing wire sculptures of Ruth Asawa, and even industrial structures. She has never been granted anywhere near the attention accorded her counterpart and contemporary Edward Weston, but revision is clearly in order. Luc Sante The New York Times Book Review ;;Imogen Cunningham's name may not come immediately to mind when you think about the great American photographers, but a new book, the catalog for a planned but temporarily postponed exhibition at LA's J. Paul Getty Museum, could make you think again. . . . Paul Martineau's Imogen Cunningham: A Retrospective (Getty) makes it very clear that she belongs in the photo pantheon alongside her Bay Area colleagues Edward Weston and Dorothea Lange. Di Vince Aletti Vogue Italia

About Paul Martineau

Paul Martineau has been a curator of photographs at the J. Paul Getty Museum for over fifteen years. Among the many books he has authored are Icons of Style: A Century of Fashion Photography (2018), Robert Mapplethorpe: The Photographs (2016), Minor White: Manifestations of the Spirit (2014), and Herb Ritts: L.A. Style (2012), all from Getty Publications.

Additional information

GOR013629028
9781606066751
1606066757
Imogen Cunningham - A Retrospective by Paul Martineau
Used - Like New
Hardback
Getty Trust Publications
20200918
256
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
The book has been read, but looks new. The book cover has no visible wear, and the dust jacket is included if applicable. No missing or damaged pages, no tears, possible very minimal creasing, no underlining or highlighting of text, and no writing in the margins

Customer Reviews - Imogen Cunningham - A Retrospective